Artist Spotlight
Exclusive Interview With Serafin – DJ Remixer
Serafin is often referred to as one of the top 10 remixers of all time. The Los Angeles-based DJ got his first set of turntables at age of 12 has been celebrated for his electrifying remixes and savvy technical style. He is a well-known rising star and performer in the international DJ community.
Serafin is a Self-Taught music producer and remixer who started his career in 2008. Jive Records signed him on for his remixes for superstars Livvi Frank, Jordin Sparks, and Britney Spears. In 2009, he proffered his skills to the Hip Hop All-Stars video game app, the first DJ video game for the iPhone.
He released his first original track “WHUT” under Peak Hour Records in 2010, and followed it with the single “Never Leave Her” in 2011, under Vector Mode Records. In 2011 Serafin produced “This That Shit” with the legendary Greg Nice. In 2013 Serafin also lent his remarkable production skill to Remax Parliament’s “FLASHLIGHT” in the Motion Picture HEAT, starring Sandra Bullock, Melissa McCarthy, and Produced the opening score in Robin Williams, The Crazy Ones with Sarah Michelle Gellar.
In 2014 Serafin started sharing the stage with the band “Royal Machines” in a Sold out show at The Mayan in Downtown Los Angeles, which is composed of rock legends, from Ozzy Osborne, Billy Idol, Dave Navaro, Courtney Love &, James Belushi.
All these achievements are what make Serafin an outstanding DJ Remixer.
We have the honor of interviewing Serafin exclusively and here is more to learn from him:
Questions:-
- Can you tell us a story about what brought you to this specific career path?
Serafin: Music was part of my life growing up, my grandfather was the Frank Sinatra of the Philippines. I’d go and play his records every time he’s not home.
My Uncle thought me how to DJ at the age of 12, and I got hooked ever since.
- Can you share the most interesting story that happened to you since you started this career?
Serafin: Love the travel, seeing the world through djing is a blessing. It’s a paid vacation!
- Can you share a story about the funniest mistake you made when you were first starting? Can you tell us what lesson you learned from that?
Serafin: I would have to say… don’t tell the club owners that you don’t drink lol.
I was in Shanghai for a 3-week Residencies. I used my Per Diem on food instead of alcohol. Didn’t know it mattered how I spent my Per Diem.
I lost my Shanghai Residency due to not Drinking, they told the booker to never book a sober DJ again.
- What are some of the most interesting or exciting projects you are working on now?
Serafin: I had the opportunity to produce and DJ this group called the EDM Rap Pack. It was a fusion of hip hop legends mashed into the EDM Scene. Sen Dogg from Cypress Hill, Baby Bash, and Lil Nate Dogg (Son of the late Nate Dogg)
Right now, I’m excited for on first collaboration with Producer & DJ Sammy Slade.
Our Track PLAY comes out May 28th. It’s a cover of the classic freestyle track by Shannon, Let the Music Play.
It’s been a busy year so far, just launched the first only Electronic Music Pool https://pitchthetempo.com/ with my partner Romi Lux. It’s an Electronic Music Platform for DJs & Producers.
- Who are some of the most interesting people you have interacted with? What was that like? Do you have any stories?
Serafin: I’ve met so many and if I have to pick one I have to say, Ozzy Osborne. My green room was directly next to his. His professionalism & passion really gave me a different outlook on this business. The people only see what the media gives them how rock stars or celebrities. They are who they are because of the work they put in.
- Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”?
Serafin: Consistency is key, hype doesn’t last. Make great music that you love and not for the trend. Do you.
- You have been blessed with success in a career path that can be challenging. Do you have any words of advice for others who may want to embark on this career path, but seem daunted by the prospect of failure?
Serafin: Embrace your failures, which are the only way to achieve success when you learn from them. Never stop learning.
- Can you share with our readers any self-care routines, practices, or treatments that you do to help your body, mind, or heart to thrive? Kindly share a story or an example for each.
Serafin: Stop procrastinating! Set Daily Goals. This doesn’t happen overnight.
- What are your “5 things I wish someone told me when I first started” and why? Please share a story or example for each.
Serafin: (1). Invest in your brand. I wish I knew this from the start, marketing is key.
Serafin: (2). Stop Impressing your peers. There’s a reason why some of the DJs come to see you, they want your job! Stop impressing them and impress your crowd.
Serafin: (3). It’s OK to say NO. You don’t have to take every single gig, If it doesn’t fit what you can do, it’ll most likely hurt your brand.
Serafin: (4). Get an LLC. I know it’s just a hobby at first, and LLC for an entrepreneur/self-employed has its benefits.
Serafin: (5). You haven’t Made it until you’re Hated. Stop wasting energy on the negative naysayers; you don’t have to prove anything to them.
- Can you please give us your favorite “Life Lesson Quote”? Can you share how that was relevant to you in your life?
Serafin: It’s my number above. “You haven’t made it until you’re Hated”
- None of us are able to achieve success without some help along the way. Is there a particular person who you are grateful towards who helped get you to where you are? Can you share a story about that?
Serafin: My uncle for sure, Tito Caloy, was the one who showed me the art of djing. As far as Producing goes, there are so many. I can’t just name one LOL, if you reading this you know who you are. My family, My Mother supported my decisions and from the beginning. My Girl Christy, who pushes me every day that being basic is not an option.
- You are a person of enormous influence. If you could start a movement that would bring the most good to the most people, what would that be? You never know what your idea can trigger. 🙂
Serafin: Kindness.. take time to share your knowledge.
- We are very blessed that some of the biggest names in Business, VC funding, Sports, and Entertainment read this column. Is there a person in the world, or in the US with whom you would love to have a private breakfast or lunch, and why? He or she might see this. 🙂
Serafin: Oh boy, this is a tough one. Representatives from General Atlantic or Hillhouse Capital Group, I would love to pick their brains over Brunch. Chase Carey or Stefano Domenicali, I’m a huge fan of Formula 1, and it’s a Multi-Billion Dollar industry.
14 How can our readers follow you online?
Serafin: Follow me on:
Instagram: @djserafin https://www.instagram.com/djserafin/
Bookings: https://sleepinggiantmusic.com/
On Air (Dash Radio): Every Friday, 9 pm PT 12a ET #theserafinshow on Dash Radio ch. Overdrive
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
Artist Spotlight
Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”
Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.
“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.
Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.
Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.
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