Artist Spotlight

Cypress Key walks the long road to redemption on New EP “Shadows and Thorns”

Cypress Key of New Orleans faces tough history and personal reflection on “Shadows and Thorns“, a four-song EP from the forthcoming album, Path to Redemption. The album is rooted in acoustic rock and adult-orientated rock, exploring the weight of troubled histories, inherited baggage, and the difficult process of confronting the consequences left by previous generations. Its acoustic-driven approach puts those themes in a musical setting.

The EP begins with “Long Road to Redemption”, a track that is heavily dependent on acoustic guitar, setting its folk-leaning tone straight away. The setting remains closely associated with the guitar, and a guitar solo offers a memorable final touch. That instrumental detail keeps the songs’ themes front and centre, reinforcing the EP’s emphasis on organic musicianship over dense production.

“An Imperfect Man” is a reflective look at human behaviour, exploring how good people can make bad decisions because nobody is without flaws. The subject matter fits naturally into the EP’s overall theme of redemption. Cypress Key does not present personal history as simple or easily resolved but rather through the lens of imperfection and accountability.

The last two songs, “Plain Ol Crazy” and “As the Crow Flies”, continue the project’s thoughtful tone while also evoking the message of leaving worries behind. The four songs together tell a short story of struggle, reflection, and the possibility of moving beyond what is given. “Shadows and Thorns” finds Cypress Key confidently embracing an acoustic folk-rock identity, the restrained instrumentation keeping the emotional weight of the material to the forefront.

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Faith Koch

A seasoned music writer at Honk Magazine, covering new releases and artist spotlights with a focus on blending insight with captivating storytelling, helping readers connect deeply with the music and the artists behind it.

Artist Spotlight

“Keep T Moving” shows Meas & Riddie’s fresh approach to house music

Meas & Riddie release their debut, “Keep T Moving,” a fusion of youthful vigor and classic electronic character. Meas & Riddie produced the track, and these two young artists have already built a clear connection with House music while still leaving room to experiment and make music on their own terms.

“Keep T Moving” is a powerful electronic and house record that speaks to the duo’s love of fusing old-school 909 sounds with more modern synths. This distinction gives the track its main artistic direction, fusing a familiar electronic base with a modern edge. Meas & Riddie see those influences as part of the sound they are beginning to make their own.

As their first independent Spotify release, “Keep T Moving” also captures the thrill of a beginning, of two young musicians stepping into the scene without putting unnecessary limits on where their sound can go. 17-year-old Riddie and 15-year-old Meas share an uncommon sense of youthful dedication on their debut release. Their age is part of the story, but more interesting is their willingness to explore on their own terms. “Keep T Moving” definitely sets the direction, but leaves plenty of room for Meas & Riddie to build on their sound with future releases.

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Artist Spotlight

Max Ceddo captures one-sided communication on latest release “So You Say”

Max Ceddo takes a frustrating one-sided conversation and makes it the centerpiece of “So You Say,” a song built around communication that never seems to go anywhere. It’s a relatable portrait of the frustration of constantly trying to engage another person in conversation, only to be met with little reciprocation.

The lyrics make that imbalance clear from the beginning, “All you seem ever to say is So you say.” Every time someone calls to talk to me, the narrator says, the other person listens and says nothing, and the narrator wonders why they even called. Even the greeting seems to be limited: “all you ever say is hi at the beginning.” The repetition signals a relationship caught in a frustrating pattern.

What gives “So You Say” its character is how directly it complains. There is no need to dress up the problem, one person wants communication, while the other seems unable or unwilling to give it. “You cant speak cause all you ever say is so you say” brings the idea back around, so the repetition is part of the message itself. Max Ceddo captures the weariness of talking when no one talks back.

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