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DaBaby 12 Nods Leads 2020 BET Hip Hop Awards Nominations

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BET has revealed the nominees for the 15th edition of its Hip Hop Awards. The show’s nominations are led by DaBaby with a whopping 12 nominations. The “Bop” hitmaker is nominated for ‘Best Live Performer,’ ‘Lyricist of the Year,’ ‘Hip Hop Artist of the Year,’ ‘Impact Track’ – Rockstar (BLM Remix) and two nominations in the ‘Song of the Year,’ ‘Best Hip Hop Video,’ and ‘Best Collab’ categories.

DaBaby makes history, with two entries in the ‘Hip Hop Album of the Year’ category with Blame It On Baby and Kirk both receiving nominations.

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Following DaBaby, Roddy Ricch is nominated for 11 awards, and Megan Thee Stallion and Drake are tied with eight nominations apiece.

Following those are Future at six, Lil Baby at four, and Beyoncé, DJ Khaled, Travis Scott, and Mustard at four.

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Nominated in the Best New Hip Hop Artist category is Flo Milli, Jack Harlow, Mulatto, NLE Choppa, Pop Smoke, and Rod Wave.

You can see the list of nominees below.

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BEST HIP HOP VIDEO

DABABY, “BOP”

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DABABY FEAT. RODDY RICCH, “ROCKSTAR”

DRAKE, “TOOSIE SLIDE”

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FUTURE FEAT. DRAKE, “LIFE IS GOOD”

LIL BABY, “THE BIGGER PICTURE”

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RODDY RICCH, “THE BOX”

BEST COLLABORATION

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DABABY FEAT. RODDY RICCH, “ROCKSTAR”

FUTURE FEAT. DRAKE, “LIFE IS GOOD”

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JACK HARLOW FEAT. TORY LANEZ, DABABY & LIL WAYNE, “WHATS POPPIN (REMIX)”

MEGAN THEE STALLION FEAT. BEYONCÉ, “SAVAGE (REMIX)”

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MEGAN THEE STALLION FEAT. NICKI MINAJ & TY DOLLA $IGN, “HOT GIRL SUMMER”

MUSTARD FEAT. RODDY RICCH, “BALLIN’”

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BEST DUO OR GROUP

CHRIS BROWN AND YOUNG THUG

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CITY GIRLS

EARTHGANG

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JACKBOYS

MIGOS

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RUN THE JEWELS

BEST LIVE PERFORMER

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BIG SEAN

DABABY

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DRAKE

MEGAN THEE STALLION

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RODDY RICCH

TRAVIS SCOTT

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LYRICIST OF THE YEAR

BIG SEAN

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DABABY

DRAKE

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J. COLE

MEGAN THEE STALLION

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RAPSODY

VIDEO DIRECTOR OF THE YEAR

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CACTUS JACK & WHITE TRASH TYLER

COLE BENNETT

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COLIN TILLEY

DAVE MEYERS

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DIRECTOR X

TEYANA “SPIKE TEE” TAYLOR

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DJ OF THE YEAR

CHASE B

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D-NICE

DJ DRAMA

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DJ ENVY

DJ KHALED

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MUSTARD

PRODUCER OF THE YEAR

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9TH WONDER

DJ KHALED

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HIT-BOY

JETSONMADE

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MIKE WILL MADE-IT

MUSTARD

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HIP HOP ARTIST OF THE YEAR

DABABY

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DRAKE

FUTURE

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LIL BABY

MEGAN THEE STALLION

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RODDY RICCH

SONG OF THE YEAR

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“BOP” – Produced By JetsonMade & Starboy (DABABY)

“LIFE IS GOOD” – Produced by Ambezza, D. Hill & OZ (FUTURE FEAT. DRAKE)

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“ROCKSTA”R – Produced by SethInTheKitchen (DABABY FEAT. RODDY RICCH)

“SAVAGE (REMIX)” – Produced by J. White Did It (MEGAN THEE STALLION FEAT. BEYONCÉ)

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“THE BOX” – Produced by 30 Roc & DatBoiSqueeze (RODDY RICCH)

“TOOSIE SLIDE” – Produced by OZ (DRAKE)

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HIP HOP ALBUM OF THE YEAR

DABABY – BLAME IT ON BABY

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DABABY – KIRK

FUTURE – HIGH OFF LIFE

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LIL BABY – MY TURN

MEGAN THEE STALLION – SUGA

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RODDY RICCH – PLEASE EXCUSE ME FOR BEING ANTISOCIA

BEST NEW HIP HOP ARTIST

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FLO MILLI

JACK HARLOW

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MULATTO

NLE CHOPPA

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POP SMOKE

ROD WAVE

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HUSTLER OF THE YEAR

CARDI B

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DJ KHALED

JAY-Z

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MEGAN THEE STALLION

RICK ROSS

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TRAVIS SCOTT

SWEET 16: BEST FEATURED VERSE

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BEYONCÉ, “SAVAGE (REMIX)” (MEGAN THEE STALLION FEAT. BEYONCÉ)

BIA, “BEST ON EARTH” (RUSS FEAT. BIA)

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CARDI B, “WRITING ON THE WALL” (FRENCH MONTANA FEAT. POST MALONE, CARDI B & RVSSIAN)

FUTURE, “ROSES (REMIX)” (SAINT JHN FEAT. FUTURE)

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RODDY RICCH, “ROCKSTAR” (DABABY FEAT. RODDY RICCH)

TRAVIS SCOTT HOT (REMIX) (YOUNG THUG FEAT. GUNNA & TRAVIS SCOTT)

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IMPACT TRACK

ANDERSON .PAAK & JAY ROCK, “LOCKDOWN”

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DABABY FEAT. RODDY RICCH, “ROCKSTAR (BLM REMIX)”

J. COLE, “SNOW ON THA BLUFF”

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LIL BABY, “THE BIGGER PICTURE”

RAPSODY FEAT. PJ MORTON, “AFENI”

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WALE FEAT. KELLY PRICE, “SUE ME”

BEST INTERNATIONAL FLOW

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DJONGA (BRAZIL)

KAARIS (FRANCE)

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KHALIGRAPH JONES (KENYA)

MERYL (FRANCE)

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MS BANKS (UK)

NASTY C (SOUTH AFRICA)

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STORMZY (UK)

The post DaBaby 12 Nods Leads 2020 BET Hip Hop Awards Nominations appeared first on The Source.

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Carmen Bryan’s Cryptic Post Stirs the Pot in Jay-Z Controversy

Jay-Z

The hip-hop industry currently faces substantial controversy as Jay-Z finds himself in the eye of a storm. Allegations of sexual assault stemming from a 2000 afterparty involving the illustrious rap mogul and disgraced music executive Diddy have ignited fierce public debate. While Jay-Z categorically denies the accusations and expresses his intent to contest the lawsuit, the court of public sentiment appears to have already rendered its verdict. Further complicating this turmoil is the involvement of Carmen Bryan, a name from Jay’s contentious history, which has added a chilling layer to the evolving situation.

Carmen Bryan, recognized for her decade-long affair with the Brooklyn rapper, recently took to Instagram with a cryptic yet pointed post. Although she refrained from naming anyone directly, Bryan suggested that loyalty often supersedes ethical morality in cases involving influential individuals. “These days, people don’t defend what is right; they defend who they like,” she wrote. Her parting shot, “And that’s why we call you a groupie,” felt like a verbal mic drop, leaving little doubt about who her words targeted.

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The intrigue didn’t stop there. Bryan shared a snapshot of Jay-Z’s lyrics from his 2010 track “Monster,” honing in on a particularly unsettling line: “Kill a block, I murder the avenues, I rape and pillage your village, women and children.” Though these lyrics were part of a more extensive metaphorical verse showcasing a “monster” persona, their resurfacing in this context feels calculated and ominous.

Bryan is no stranger to controversy, having previously aired her grievances toward Jay-Z. In her 2006 memoir, It’s No Secret: From Nas to Jay-Z, Seduction to Scandal, she detailed their affair and its tumultuous fallout. Additionally, she revealed in a 2017 interview that she had been pregnant with Jay-Z’s child, only to suffer a miscarriage. The relationship, fraught with personal and public conflict, remains a blemish on Jay-Z’s meticulously crafted, otherwise carefully curated narrative. Carmen Bryan’s multifaceted approach raises pertinent questions: Is she simply sharing her perspective on morality in the industry, or does she possess additional undisclosed knowledge?

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While the allegations against Jay-Z are still under legal evaluation, Bryan’s Instagram post has reignited another dimension to the complex and polarizing discussions about power dynamics, accountability, and the ethical responsibilities of those influential individuals in the spotlight. Her courageous decision to use Jay-Z’s lyrics against him paints a stark picture that forces fans and critics alike to reckon with the blurred lines between art and reality.

As the legal proceedings involving Jay-Z progress, the public remains split amid this developing saga. While Jay-Z’s peers have predominantly expressed skepticism toward the allegations, the enduring legacy of this iconic figure hangs in precarious balance, with shadows from the past casting long and potentially damning silhouettes.

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Jay-Z Engrossed in Fresh Allegations as Tony Buzbee Claims More Victims

Jay-Z

In a stunning twist to an already high-stakes legal dispute unfolding with the intensity of a Hollywood thriller, Jay-Z, one of music’s most preeminent figures, finds himself at the center of an explosive allegation involving minors. This drama stems from accusations brought forth by attorney Tony Buzbee and has escalated a conflict that began with a lawsuit over alleged extortion. Buzbee, who represents a woman accusing the music mogul of sexually assaulting her at the 2000 MTV VMAs afterparty, claims there are additional alleged victims, involving both male and female minors.

Jay-Z and his attorney, Alex Spiro, aren’t backing down. They have initiated a countersuit against Buzbee, vehemently denying the allegations and characterizing them as “entirely fabricated and malicious.” Spiro’s filing asserts that Buzbee’s accusations are part of a calculated scheme to tarnish the rapper’s reputation and coerce a settlement. “These baseless accusations are nothing more than a weapon in a calculated plot,” Spiro stated, doubling down on their stance that the allegations are devoid of any factual basis.

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The case took another dramatic turn when the woman Buzbee represents amended her lawsuit against Diddy to include Jay-Z. The timing of the amendment and the salacious nature of the claims have fueled a media frenzy, leaving the hip-hop icon fighting a battle both in the courtroom and in the court of public opinion.

Late Sunday, Jay-Z fired back with a defiant statement on X (formerly Twitter). “What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle,” he wrote. “No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”

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This case is now racing against the clock, with Jay-Z’s legal representatives seeking an emergency hearing to address the allegations. Their urgency stems from the relentless media coverage, which poses a substantial risk to the Roc Nation founder’s reputation. This matter extends beyond a mere legal confrontation; it encompasses significant implications beyond the courtroom, a fight for his legacy.

The stakes are exceptionally high. Legal counsel Buzbee hints at the potential existence of additional alleged victims, thereby intensifying the spotlight scrutiny placed on both parties involved. With careers, reputations, and justice on the line, this legal showdown is poised to become a critical juncture within the music and entertainment industry. For fans and observers alike, the unfolding circumstances prompt inquiries regarding the veracity of the claims and the tactical weaponization of reputation in the court of public discourse.

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