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DaBaby Accused Of Being Loud, Problematic Neighbor In Exclusive NC Area

He may not be worried about losing out on all 12 of his BET Hip Hop Awards nominations last night (October 27), but DaBaby should be concerned with his neighbors. It’s being reported that the North Carolina rapper has been a thorn in the side of those who live in the area of Troutman just 35 miles north of Charlotte. According to the Charlotte Ledger, DaBaby has lived on the $2.3 million estate for less than a year, but in that time he’s racked up quite a few calls to the authorities.

DaBaby, Troutman, North Carolina, Neighbors,
Brad Barket / Stringer / Getty Images

The publication states that 31 calls have been placed to the Troutman police “including 14 instances of burglar alarms going off, four noise complaints and at least two domestic arguments.” Other calls have been made anonymously from DaBaby’s Trump-loving neighbors who have complained about the ongoing construction at the rapper’s home. No one has met the rap star, but many have stated that they don’t even know who he is. However, local police are familiar with DaBaby after they responded to a call back in January when he and the mother of his two-year-old daughter got into an argument and she reportedly destroyed $10K worth of his clothing. In another incident that was said to have occurred in April, the couple was in a dispute where she kicked in the door to his bedroom when he attempted to hide from her.

There is a concrete wall reportedly erected around the compound that houses newly installed guard towers and security guards armed with firearms sitting in black Cadillac Escalades in from of the estate. There are also reportedly stadium lights that are bothersome to neighbors, as well.

“I understand he’s a nice guy… I’ve seen him on television, but I’ve never met him,” an anonymous neighbor told the outlet. “I don’t think he does any walking around. He’s not social… He bought it to say he had a place to go where nobody’s gonna bother him. Who’s gonna come out here?” It’s reported that there are many people, especially high school students, who are well aware of DaBaby’s location, so it’s not surprising that he’s extra cautious.

[via]

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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