Hip-Hop

Dax finds clarity and redemption in his newest single “Man I Used To Be”

In a bold and deeply personal turn, Dax returns with his newest single, “Man I Used To Be,” a track born from inspiration and a hard-earned clarity that only comes with true self-discipline. After vowing not to release new music in 2025 until hitting six months sober from alcohol, Dax honors that commitment in the most powerful way possible: with a record that feels like a soul laid bare. “Man I Used To Be” is a reckoning, a reflection, and a declaration of transformation.

The production allows Dax’s voice to take center stage. There’s just a man processing who he was and who he’s becoming. Every bar hits with conviction, not in arrogance, but in honesty. This is about progress. The strength of this single lies in its vulnerability. Dax opens the door to his internal battles, the crutches he leaned on, the ways he coped, and ultimately, the strength it took to face those habits head-on and walk away. There’s a heavy beauty in his words; pain revisited not for pity, but for healing. “Man I Used To Be” is an invitation.

Whether you’re wrestling with your own past or trying to navigate toward a better future, Dax’s latest track offers a raw kind of companionship that says, “You’re not alone, and change is possible.” For longtime fans, this might be Dax at his most honest yet. For new listeners, it’s an unforgettable introduction to an artist unafraid to evolve in real time. This is a turning point. With “Man I Used To Be,” Dax is redefined. And if this is what six months of clarity sounds like, we can’t wait to hear what’s next.

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Artist Spotlight

Bluridge enters the global scene with debut release “On Top Of The World”

BluRidge makes its mark in the pop world with its first official release, showing that it is very sure of itself. The title “On Top of the World” is music that’s carefully made to lift your spirits, get you moving, and give you the energy you need to party.

The song blends pop, dance-pop, and trap-infused rhythms, but it doesn’t stick to a single genre. “On Top of the World” has a light, free quality, taking you to a place where music becomes a driving force. This piece is meant for people to listen to, as well as sunlight, stage smoke, and the sounds of open fields.

The hook gives you the freedom to believe in elevation again, to feel triumphant, to let go of joy, and to see beyond what seems unimportant. BluRidge lifts others, and their first official release shows this energy in full. BluRidge is making anthem-like songs that make you want to move and give you a sense of power.

This single marks an essential time for BluRidge, and their first release on a label that not only hints at potential but also joyfully conveys it through rhythm, momentum, and evident joy. It sets the tone for both their destination and the height they want to reach.

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Artist Spotlight

Séhkou expresses a sacred pain through light in “Irreverent Beauty (2 Cor. 12:9)”

“Irreverent Beauty (2 Cor. 12:9)” breathes like a physical being in prayer, shaking, remembering, and slowly coming back to life. Séhkou’s work is a spoken psalm full of sadness, an open wound, and a testament that gets its strength from being weak, not loud.

The work has the seriousness of scripture, the softness of confessional poetry, and the gentle confusion that comes with spiritual healing. This is a softness that comes from years of breaking, fixing, breaking again, and realizing that the Divine is always there in each crack.

Séhkou talks about the paradox of divine support amid life’s scars, and he shows the pain as beautiful, even holy, and the track knows where light always tries to get in. “Irreverent Beauty (2 Cor. 12:9)” is like a map of lasting scars, showing a faith that doesn’t get rid of pain but changes it. Séhkou whispers that he is still becoming, and that is, in a way, more triumphant. In a culture that loves polished stories, this work shows the flaws and treats them as sacred.

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