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Denzel Curry Plans To Make Bad Music Because He Hates Rapping Now

Getty Image Fans’ opinions have sapped his enjoyment of making music. …

On the surface, it always seems like being a rapper is a dream job. You get thousands of fans screaming for you at shows, members of the opposite sex suddenly find you very attractive, and it sure beats having a boss, right? However, over the past year, we’ve seen how much more stressful it can actually be than we think; live entertainment is shut down, flagging their income, while the complex ins-and-outs of the record business can make actually getting paid something of a nightmare. And those adoring fans can turn on you over a tweet or one bad song. It’s enough to make you hate rapping.

That’s what seems to be the case for Denzel Curry, who took his frustrations to Twitter in a vent session that found him railing against reporters whose interview questions seem more interested in XXXTentacion than Denzel, fans’ fickle attitudes toward recent rappers’ deaths, and, of course, the music industry that seems to take more than its fair share before the artist sees a dime. In fact, he outright said it: “I hate rapping. I watched my hobby that I did in my room become something I can’t even enjoy anymore because everyone has a opinion.”

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He may have a solution, although it seems a little unorthodox. “I’m going make bad music so you can understand how much work it is a making good music,” he wrote (is that what Kanye’s been doing?). “This music industry is bullshit I gotta play a stupid game for me to succeed it’s not about the music anymore if it was you’ll hear a balance of conscious rap along with everything else being played today.”

Fans and friends, such as popular vlogger Anthony Fantano, chimed in to send words of encouragement, but it seems Denzel’s drained. “That spark is dimming,” he replied to one such comment. Although fans were disappointed, Denzel has previously expressed his wish to retire after a few more albums. The grass may seem greener on his side of the fence, but that may only be because we don’t know how much work it really takes to keep it that way.

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Check out more of Denzel’s tweets below.

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Artist Spotlight

Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”

Sadie Brown

At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.

Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.

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Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.

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Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.

 

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For more information about Sadie Brown, please visit [website]. 
CLICK HERE TO STREAM Sadie Brown’s Counterfeit on Spotify.
CONNECT WITH Sadie Brown | Instagram

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Indie

“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question

Tom Minor

The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.

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What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.

Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.

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CLICK HERE TO STREAM Tom Minor’sIs Everything Okay? on Spotify.
CONNECT WITH Tom Minor | Facebook |

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