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DeSean Jackson To Visit Auschwitz After Call With Holocaust Survivor

DeSean Jackson of the Philadelphia Eagles found himself at the center of a controversy last week when he posted a fake quote from Adolf Hitler which spoke about the economic empowerment of Jewish people. Jackson is adamant that he meant to say that black people should be doing the same thing, however, whenever you mention Hitler, you’re pretty well in the wrong. The wide receiver eventually apologized for the post and was fined by the Eagles.

Over the weekend, Jackson spoke with Holocaust survivor Edward Mosberg during a Zoom call. During their talk, Mosberg invited Jackson to visit Auschwitz which was the site of one of the most infamous concentration camps from that time. Jackson has accepted the invitation and even spoke about how sorry he is for what happened.

“I grew up in Los Angeles, and never really spent time with anyone from the Jewish community and didn’t know much about their history,” Jackson said during the call. “This has been such a powerful experience for me to learn and educate myself. […] “I want to take the proper steps to let people know that I never intentionally had any hatred in my heart, I never wanted to put the Jewish community down, I want to educate myself more and help bridge the gaps between all different cultures.”

While Jackson was certainly in the wrong, it’s dope to see him learn from his mistakes and have a dialog with a real survivor. These kinds of conversations can only help us grow.

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Marsha Bartenetti reinvents in her own style “New York Minute”

Marsha Bartenetti

Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.

The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.

“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.

Connect with Marsha Bartenetti on Spotify || Facebook

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