Celebrity

Diddy Lawsuit Dismissed as Judge Rules Julian Sapp’s Claims Were Filed Too Late

The judge dismisses a 15-count lawsuit filed by Las Vegas entertainer Julian Sapp against Sean “Diddy” Combs, ending the case after ruling that most claims were filed outside the applicable statute of limitations. U.S. District Judge Jennifer L. Rochon in the Southern District of New York handed down the ruling September 18.

Sapp’s lawsuit contained several serious allegations against Combs, dating back to their alleged encounters in 2007. According to the complaint, Sapp met Combs after an agency hired him as an adult entertainer at a Las Vegas hotel. He claimed that Combs then offered him opportunities for a possible music career before allegedly subjecting him to drugging, sex, threats, and other alleged misconduct.

The allegations included forced labor, sex trafficking, sexual battery and assault, false imprisonment, emotional distress, unjust enrichment, breach of contract, and invasion of privacy. He also said his phone was taken and exits blocked and guns were waved as part of alleged threats. Sapp also claimed that sex was recorded without his knowledge and that the recordings were used to threaten him if he refused to have more sex or if he tried to report what allegedly took place.

The court’s opinion, issued September 18, was largely about the timing of the claims, not whether the alleged incidents happened. Court records show Sapp’s last in-person contact with Combs was in November 2012, and he filed the lawsuit in February 2025. By as early as November 2022, Judge Rochon ruled that the limitation period for the federal claims had run.

Sapp said he did not file sooner because of alleged threats and because of Combs’ position of power. The court found, however, that he had not shown the necessary diligence to extend or revive the applicable limitations period. Accordingly, the court dismissed Counts II through XV as time barred and found that the invasion of privacy claim was not pled with sufficient particularity to meet the requisite elements.

The ruling comes amid ongoing legal activity involving Combs. But Judge Rochon’s ruling here is a specific closure of the federal action Sapp brought. The court ordered the case dismissed.

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Meek Mill Draws Mixed Reactions With Drill Take on Nico & Vinz’s “Am I Wrong”

Meek Mill has released a couple of songs that leaked online recently, giving fans a proper way to hear the tracks after they popped up over the weekend. “Philly Heathens” has been praised for its attention to street culture and youth affected by violence, but his other new album, “Am I Wrong,” has received a much more divided response.

“Philly Heathens” has been praised for its lyrics about street culture and the young people who get caught up in violence. “Am I Wrong,” however, takes a vastly different approach, remixing the song of the same name by Nico & Vinz as a drill centric interpolation.

“Am I Wrong” is now 12 years old, and its connection to the EDM sound of the time makes it especially recognizable to those who grew up with it. So Meek’s take is built on a familiar musical reference, but the response has been far from universally complimentary. A lot of the criticism has been directed at the hook. The production has also been called dated, but the track was leaked, which may explain its sound. But the strongest reactions have focused on Meek’s chorus vocals.

Some of the responses have been good, though. Some listeners felt the track was a throwback to the blog era, while others thought the criticism targeted almost entirely the hook, not the song as a whole. One Reddit commenter wrote that the track was good, but the chorus was bad, suggesting that Meek’s performance on the rest of the song was better than the reception to the hook may suggest.

The different reactions demonstrate the contrast between Meek’s two new leaks. “Philly Heathens” has resonated with audiences for its subject matter, while “Am I Wrong” has sparked discussion due to its interpolation and vocal approach.

Both songs are now officially available on YouTube so that fans can decide for themselves. The response to “Am I Wrong” shows how difficult it is to reinterpret a well known song, especially when a recognizable hook becomes the centerpiece of the new version

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Drake Joins Karol G in Houston for First Live Performance of “Ahi”

Drake made a surprise appearance in Houston this weekend, joining Karol G on stage for the first-ever live performance of their collaboration, “Ahi.”
The surprise appearance took place during Karol G’s show in Houston, where Drake jumped out from the bottom of the stage to perform the song with her. “Ahi” is the latest from Karol G’s project No Me Arrepiento de Sentir Tanto, and the Houston show marked the first time the pair had performed the collaboration together on stage.

Drake made his entrance to a loud reception from the crowd. The rapper popped out from under the stage, bowed to Karol G, hugged her, and launched into their collaboration. With “Ahi,” the performance was not over. Drake stayed on stage and carried on with the set, performing “Janice STFU” and “One Dance” and giving the Houston crowd a long set from the Canadian rapper.

The collaboration also sparked speculation about Drake’s upcoming music. A rumor started that Karol G was one of the collaborators on the project, along with Molly Santana and Future, days before ICEMAN is expected to drop. Future and Molly Santana were among the names on the rumored list, and Future ended up on “Run To Atlanta.”

Drake’s Houston appearance comes as he continues to promote music outside the traditional album release cycle. He released FOMO, a visual YouTube project featuring visuals for several songs from Habibti and Maid Of Honor nearly two weeks ago. The project also featured a couple of unreleased songs, including new material with Yeat and new unreleased music with Don Toliver.

Drake and Don Toliver have also dropped a remix of Ella Langley’s “Choosin’ Texas.” The remix has recently sparked speculation about the artists after re uploaded visuals allegedly erased all footage of Langley.

But the Houston show shifted the focus back to Drake and Karol G. The surprise appearance turned the stop into the first live showcase of “Ahi” for the audience, while Drake’s renditions of “Janice STFU” and “One Dance” extended his surprise time onstage. It also gave fans their first chance to see the two artists perform their collaboration together, adding a live chapter to the release of “Ahi. “

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