Mainstage
Dillon Danis stirs up Jake Paul and dares Jon Jones in his most recent comments
Dillon Danis, infamous for his online provocations, has been singling out different figures lately. His continuous rivalry with Logan Paul persists, but this week he also made a dig at Jake Paul. In a social media post, Danis alleged that Jake isn’t an authentic boxer, rather a fraud who meticulously selects his opponents to seem proficient. He paralleled Jake with his brother Logan, characterizing them as self-doubting individuals concealing their insecurities behind tattoos and fake assurance.
In a surprising turn, Danis also targeted UFC champion Jon Jones in another post. He accused Jones of dodging fights and challenged him to face a “real legend” like himself. Despite the criticism Jones has received for allegedly avoiding fights, he remains one of UFC’s top fighters. On the other hand, Danis hasn’t fought in four years and has never been invited to fight in the UFC.
Danis has expressed his desire to join the UFC if he wins against Paul. Despite being under contract with Bellator, a rival of UFC, Danis is keen on facing UFC’s toughest fighters, including Ian Garry, Neil Magny, Leon Edwards, and Colby Covington. His last fight for Bellator was in 2019.
Danis disclosed that Misfits Boxing has indicated an interest in signing him if he emerges victorious against Paul. However, he brushed off the idea, citing his preference for jiu-jitsu instead of boxing. He voiced his aspiration to triumph over UFC lightweight champion Islam Makhachev. Nonetheless, his future plans are dependent on the result of his bout with Paul on October 14.
Artist Spotlight
“We Keep Walking” by Foxy Leopard explores the quiet forces that lead us toward history
There is something unsettling about being on a journey that does not end when the destination is not assured. That tug is at the heart of Foxy Leopard’s cinematic alt-country sound on “We Keep Walking.” What looks like a simple step forward becomes a meditation on history, community, and the choices people make before they know the consequences.
The concept album Foxy Leopard released earlier tells the story of the last months before the American Civil War through the lives of common people, and the song is a turning point that takes a different turn from a typical historical song. It’s not zooming in on the war itself but on the unseen momentum building around normal families and communities.
Foxy Leopard dishes up alt-country with a cinematic edge, and “We Keep Walking” seems to be a particularly potent example of that style. This song has a forward motion that fits its theme, a driving pulse, and darker implications all the more apparent.
The vocal and production approach serves the storytelling, and there’s a control beneath the energy that makes the track’s space feel reflective, uneasy, and quietly dramatic. Foxy Leopard demonstrates how alt-country can be employed for cinematic storytelling without sacrificing its human scale. If you’re a fan of atmospheric alt-country, storytelling songwriting, and songs that find personal meaning in grand historical moments, there’s a lot to discover on “We Keep Walking.”
Artist Spotlight
George Collins Band turns hope and resilience into “Happiness Looks Good on You”
“Happiness Looks Good on You” is the new single from George Collins Band. It’s a soulful mix of Americana with vintage R&B, gospel warmth, punchy horns, and the undeniable rhythmic spirit of New Orleans. The track has a wonderfully lived-in feel, evoking the musical traditions of The Staple Singers, Dr. John, Allen Toussaint, and The Neville Brothers.
George Collins Band leans into a sound that feels organic, communal, and full of personality. The end result is a rock and Americana release that’s uplifting enough to feel immediate and soulful enough to leave a long-lasting impression. The song is about hope and endurance, and it doesn’t deny the difficulties of life, but it celebrates the brighter moments that make the struggle worthwhile.
Lou Pomanti’s organ, piano, and horn arrangements set a rich musical backdrop for the tune, and the lively brass textures of Tony Carlucci’s trumpet, David Wiffen’s saxophone, and William Carn’s trombone further emphasize its New Orleans influence. They add dynamics and personality to the arrangement without losing the main idea.
As the song nears the end, the gospel choir is especially strong, amplifying the feeling of celebration and turning its hopeful spirit into a communal one. The performance feels made for moments of sharing music that can light up a room, lift a gathering, or just change the mood of an average day. On “Happiness Looks Good on You,” George Collins Band proves that the classics can still sound fresh and relevant. It’s a warm, groove-driven reminder that the best kind of music, sometimes, just gives us a reason to feel good.
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