Artist Spotlight
Doom Bass project ‘Antania’ tours Texas via NecroFlesh events
After two co-headline festivals, the Green Jelly Jam Fest and Trapt in the Desert Fest, Antania will be hitting the state of Texas to promote “The God Complex” release that drop’s January 5th 2024 via The Triad Recs. Their mini tour ends in New Orleans at Siberia.
Heralded as the bass music scene’s Slayer, Antania (epitaph or the goddess Hecate, meaning enemy of mankind) is a black, doom bass project from Joshua Tree CA that consists of Death/Bass Producer Dr Luna and blackened vocalist Kali Mortem (featured in the black metal book “Daughters of Darkness”). Antania creates black and doom metal out of bass music by wrapping distortion around saw and sub bass, they don’t sample or use any stringed instruments and Dr Luna creates bass lines with a microbrute and is sponsored by KAT Percussion. Dr Luna was a bass player and keyboard player in black metal bands and when he heard EDM calling their music brutal decided to create a bass music project that was truly “brutal” and he would bring the sound and style of “Metal” with him. Antania is completely original and within their short existence have already started headlining venues and festivals (be afraid of the dark and mechanismus, black Metal mass). Their demo release “Lividity ” featured a collaboration with Hocico’s ERK AIRCRAG and horrorcore queen Razakel.
Antania, recently signed to the Roman Label “The Triad Recs”, deliberately turned down a potentially lucrative deal with a larger label in Eastern Europe. The primary reason behind this rejection was the band’s unwavering commitment to retaining full creative control over their music. The larger label, in contrast, sought not only to influence the final outcome of Antania’s creativity but also aimed to dictate the trajectory of their marketing strategy.
In an era where artistic independence is highly valued, Antania’s choice to prioritize creative control over the allure of a bigger label speaks volumes about the band’s commitment to their craft. By aligning with “The Triad Recs,” Antania has not only secured a platform to showcase their musical prowess but has also found a supportive environment that respects their artistic integrity. Adding to the new label, Antania recently signed to “NecroFlesh Events”to help expand their vision.
01/06/24 Costa Mesa CA/ support Green Jelly
01/13/24 Pinon Hills CA / Trapt in the Desert Fest
(NecroFlesh Events)
01/22/24 San Antonio TX – The Mix
01/23/24 Austin TX – Elysium
01/24/24 Denton TX – Rubber Gloves
01/25/24 Houston TX – Black Magic Social Club
01/26/24 New Orleans LA – Siberia
Pre-order “The God Complex”
https://thetriadrec.bandcamp.com/album/antania-the-god-complex
Video – The God Complex
ANTANIA-The God Complex (OFFICIAL VIDEO)
Website
Pics by Ricardo Herrera
Artist Spotlight
Lana Crow turns challenges into a celebration with “Laugh With You”
“Laugh With You,” the latest single from Lana Crow, is a sincere rallying cry to embrace life in all its messy, beautiful mess. In the song, indie pop and alt-pop combine to deliver an emotional blow that feels both personal and universal.
“Laugh With You” feels like an instant connection, and Crow is telling you stories of hard times with a cozy, knowing smile. This song is as much about struggle as it is about how strong you are. It serves as a reminder that these struggles are simply what give us the strength to keep going, even when life is tough.
Crow encourages people to welcome them, create happiness in the cracks, and laugh even as the world gets heavy. The result is a song that delicately nudges you to love and embrace yourself. It is an anthem for anyone experiencing tough times who refuses to give up hope. Lana Crow continues to demonstrate her songwriting skills, both musically pleasing and emotionally rich, with “Laugh With You.”
It’s a reminder that it’s how we respond to tough times, rather than how they affect us, that’s key. With this song, not only does Crow provide us with music, but she also lets us know that sometimes a laugh is what we need to remember that there is always something to smile about and that, even when it feels like life has waged war against you, laughter can still be found.
Artist Spotlight
BluntBrad Jr. finds calm ambition in the laid-back shine of “It’s All Good”
BluntBrad Jr.’s new single, “It’s All Good,” sounds like a steady handshake and a deep breath. It’s warm, honest, and not trying to be cool. There isn’t any fancy production hiding behind layers of polish here. Instead, the song is all about being honest. The song is laid-back and offers up the shine of a studio recording for the feeling of a candid introduction, a musical “hello” from someone who wants to be heard for who they are.
“It’s All Good” is a very human way to be hopeful at its core. The feeling is simple and real, like someone who won’t let little things stand in the way of their goals. The words to the song sound like friends talking to each other. They discuss their goals, their drive, and their need for attention in a way that is honest and not needy.
The production backs this up by making sure that everything is open and airy. The instruments are simple and easy to understand, so BluntBrad Jr.’s voice and message come through clearly. The song feels real because it doesn’t have a lot of extra stuff in it. You’re not hearing a heavily constructed persona; you’re hearing someone at the start of a journey, eager to make their mark.
The song’s rough edges make it captivating, which is better than polish, which would have smoothed it out. This way of thinking fits with the theme: hope isn’t naive here; it’s realistic and steady. It speaks to people who like simple songs and value honesty over artifice.
“It’s All Good” is an engaging and approachable phrase that offers context for an artist who is confident and clear about their artistic vision. This is the kind of song you listen to when you need some honest encouragement to remember that just being human can help you move forward. This is only the first chapter of something serious, so expect more from him.
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