Artist Spotlight
Doom Bass project ‘Antania’ tours Texas via NecroFlesh events
After two co-headline festivals, the Green Jelly Jam Fest and Trapt in the Desert Fest, Antania will be hitting the state of Texas to promote “The God Complex” release that drop’s January 5th 2024 via The Triad Recs. Their mini tour ends in New Orleans at Siberia.
Heralded as the bass music scene’s Slayer, Antania (epitaph or the goddess Hecate, meaning enemy of mankind) is a black, doom bass project from Joshua Tree CA that consists of Death/Bass Producer Dr Luna and blackened vocalist Kali Mortem (featured in the black metal book “Daughters of Darkness”). Antania creates black and doom metal out of bass music by wrapping distortion around saw and sub bass, they don’t sample or use any stringed instruments and Dr Luna creates bass lines with a microbrute and is sponsored by KAT Percussion. Dr Luna was a bass player and keyboard player in black metal bands and when he heard EDM calling their music brutal decided to create a bass music project that was truly “brutal” and he would bring the sound and style of “Metal” with him. Antania is completely original and within their short existence have already started headlining venues and festivals (be afraid of the dark and mechanismus, black Metal mass). Their demo release “Lividity ” featured a collaboration with Hocico’s ERK AIRCRAG and horrorcore queen Razakel.
Antania, recently signed to the Roman Label “The Triad Recs”, deliberately turned down a potentially lucrative deal with a larger label in Eastern Europe. The primary reason behind this rejection was the band’s unwavering commitment to retaining full creative control over their music. The larger label, in contrast, sought not only to influence the final outcome of Antania’s creativity but also aimed to dictate the trajectory of their marketing strategy.
In an era where artistic independence is highly valued, Antania’s choice to prioritize creative control over the allure of a bigger label speaks volumes about the band’s commitment to their craft. By aligning with “The Triad Recs,” Antania has not only secured a platform to showcase their musical prowess but has also found a supportive environment that respects their artistic integrity. Adding to the new label, Antania recently signed to “NecroFlesh Events”to help expand their vision.
01/06/24 Costa Mesa CA/ support Green Jelly
01/13/24 Pinon Hills CA / Trapt in the Desert Fest
(NecroFlesh Events)
01/22/24 San Antonio TX – The Mix
01/23/24 Austin TX – Elysium
01/24/24 Denton TX – Rubber Gloves
01/25/24 Houston TX – Black Magic Social Club
01/26/24 New Orleans LA – Siberia
Pre-order “The God Complex”
https://thetriadrec.bandcamp.com/album/antania-the-god-complex
Video – The God Complex
ANTANIA-The God Complex (OFFICIAL VIDEO)
Website
Pics by Ricardo Herrera
Album Review
Brynja Rán finds clarity in complicated relationships on “Unblurred” [album]
It can be hard to see when a relationship no longer meets your emotional needs, especially when affection, uncertainty, and repeated disappointment are hard to untangle. “Unblurred,” an album built on the bedrock of emotional unavailability, recurring conflict, and the slow dawning that a relationship might need to end, is where Brynja Rán unpacks that difficult process.
The ten songs follow the arc of attachment and frustration, weaving together the story of someone trying to figure out what they deserve. The focus track, “Unblurred Lines,” hits on the album’s central concept. This is when the veils begin to fall, and the person is more ready to see the partner’s behavior for what it is. The song is musically rich, with an acoustic and electric guitar soundscape, synthesizers, bass guitar, drums, and additional instrumentation.
The surrounding songs view the same emotional landscape from different angles. “Cowboy Wannabe” explores a partner masking insecurity with a detached personality, and “Deja Vu” captures the frustration of arguments that go round and round without changing anything. “Adore” is about ignoring red flags when you’re that into something, and “Cherry” is about the temporary comfort of being in a relationship that just isn’t right.
The album opens up by looking at borders and the need for real connection. “Make Me Feel” is about wanting to be loved, and “Until” is about how long you should stay in the twilight zone. “Still Stuck Waiting” captures the frustration of waiting for communication and commitment. “Don’t You Leave” begins with fear of abandonment and moves toward healing, while “What Else” ends the record with emotional exhaustion and a desire to move on.
Rather than treating every experience as a one-off event, the tracklist of “Unblurred” attempts to create a single image of relationship troubles. With this release, Brynja Rán explores unhealthy patterns, boundaries, and getting the clarity to choose a different path.
Album Review
Legends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]
Albums often have a strong sense of identity, with songs linking to a broader emotional and musical direction. The nine-song album “The Pumphouse of Broken Dreams” by Legends of the Seven Golden Vampires, featuring Dutch vocalist Ilse Van Der Linden front and center, is more cohesive.
The band’s melodic psychedelic pop offers a welcome counterpoint to a project that explores recovery, longing, uncertainty, and personal growth. The tracklist is an emotional journey. “To Think, To Heal” starts with the idea of mental healing and moving on from the past. “Flying” is more of an escapist wish to escape the pressures of day-to-day life. “Come Home” is about finding comfort and belonging.
“Here I Am” is about self-awareness and openness. Together, these early songs form an album about finding stability and processing difficult experiences. The middle ground is more emotionally layered. “Hopelessly Devoted To You” is about being attached all the time, and “Lost & Burned” is about being worn out and the results of hard experiences. Then there is “In My Dreams,” which turns into memory and unfulfilled wishes. Later, “AIR” brings the need for freedom, air, space, and a new start.
It ends with “BLEND,” a combination of psychedelic, shoegaze, and electronic influences. The release also includes another visual element from Gareth Halliday, who also worked on Noel Gallagher’s High Flying Birds Who Built The Moon. “The Pumphouse of Broken Dreams” has softer vocals and a range of emotions. This album is deliberately constructed, moving from reflection to acceptance without losing the variety of experiences it tackles.
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