News
Drake Shares His Romantic History With SZA On New 21 Savage Song
Drake and SZA were an item back in the day. Champagne Papi disclosed this pertinent information on his latest track with 21 Savage & Metro Boomin, “Mr. Right Now.” On the song he states,
Yeah, said she wanna f**k to some SZA, wait
‘Cause I used to date SZA back in ’08
If you cool with it, baby, she can still play
While I jump inside that box and have a field day
Although this may come as a surprise to many, Drake hinted of his previous relationship with SZA back in 2018 on “Diplomatic Immunity,” by name dropping the Jersey singer’s first name, Solana. The song was a 2-pack release along with “God’s Plan” entitled Scary Hours EP. He speaks to his come up days as an artist, before his Hidden Hills residence.
I just pulled up on Solána show, the girl’s a natural
I knew her way back when Hollywood was international
Yeah, the furthest I’ve been, that’s word to my ends
Word to the flags that belong in the hood of my Benz
SZA has yet to confirm nor deny those claims. It was reported by The Neighborhood Talk that the TDE artist unfollowed Drake shortly after the song’s release.
The Certified Lover Boy continues to live up to the title of his next album. Last month SZA, released her latest single, “Hit Different” featuring Ty Dolla $ign. Drake took to his Instagram story to show his appreciation of the song’s music video based on his screenshot and his caption.
“Solana is the chef’s kiss,” stated the 6 God.
As fans await the arrival of Certified Lover Boy, they can sit back and enjoy two new Drake features. He makes the only appearance on Bryson Tiller’s latest project, Anniversary as well.
The post Drake Shares His Romantic History With SZA On New 21 Savage Song appeared first on The Source.
Stay updated! Click the Google News follow button for more news and updates.
Follow on Google NewsFeatured
Carmen Bryan’s Cryptic Post Stirs the Pot in Jay-Z Controversy
The hip-hop industry currently faces substantial controversy as Jay-Z finds himself in the eye of a storm. Allegations of sexual assault stemming from a 2000 afterparty involving the illustrious rap mogul and disgraced music executive Diddy have ignited fierce public debate. While Jay-Z categorically denies the accusations and expresses his intent to contest the lawsuit, the court of public sentiment appears to have already rendered its verdict. Further complicating this turmoil is the involvement of Carmen Bryan, a name from Jay’s contentious history, which has added a chilling layer to the evolving situation.
Carmen Bryan, recognized for her decade-long affair with the Brooklyn rapper, recently took to Instagram with a cryptic yet pointed post. Although she refrained from naming anyone directly, Bryan suggested that loyalty often supersedes ethical morality in cases involving influential individuals. “These days, people don’t defend what is right; they defend who they like,” she wrote. Her parting shot, “And that’s why we call you a groupie,” felt like a verbal mic drop, leaving little doubt about who her words targeted.
The intrigue didn’t stop there. Bryan shared a snapshot of Jay-Z’s lyrics from his 2010 track “Monster,” honing in on a particularly unsettling line: “Kill a block, I murder the avenues, I rape and pillage your village, women and children.” Though these lyrics were part of a more extensive metaphorical verse showcasing a “monster” persona, their resurfacing in this context feels calculated and ominous.
Bryan is no stranger to controversy, having previously aired her grievances toward Jay-Z. In her 2006 memoir, It’s No Secret: From Nas to Jay-Z, Seduction to Scandal, she detailed their affair and its tumultuous fallout. Additionally, she revealed in a 2017 interview that she had been pregnant with Jay-Z’s child, only to suffer a miscarriage. The relationship, fraught with personal and public conflict, remains a blemish on Jay-Z’s meticulously crafted, otherwise carefully curated narrative. Carmen Bryan’s multifaceted approach raises pertinent questions: Is she simply sharing her perspective on morality in the industry, or does she possess additional undisclosed knowledge?
While the allegations against Jay-Z are still under legal evaluation, Bryan’s Instagram post has reignited another dimension to the complex and polarizing discussions about power dynamics, accountability, and the ethical responsibilities of those influential individuals in the spotlight. Her courageous decision to use Jay-Z’s lyrics against him paints a stark picture that forces fans and critics alike to reckon with the blurred lines between art and reality.
As the legal proceedings involving Jay-Z progress, the public remains split amid this developing saga. While Jay-Z’s peers have predominantly expressed skepticism toward the allegations, the enduring legacy of this iconic figure hangs in precarious balance, with shadows from the past casting long and potentially damning silhouettes.
Featured
Jay-Z Engrossed in Fresh Allegations as Tony Buzbee Claims More Victims
In a stunning twist to an already high-stakes legal dispute unfolding with the intensity of a Hollywood thriller, Jay-Z, one of music’s most preeminent figures, finds himself at the center of an explosive allegation involving minors. This drama stems from accusations brought forth by attorney Tony Buzbee and has escalated a conflict that began with a lawsuit over alleged extortion. Buzbee, who represents a woman accusing the music mogul of sexually assaulting her at the 2000 MTV VMAs afterparty, claims there are additional alleged victims, involving both male and female minors.
Jay-Z and his attorney, Alex Spiro, aren’t backing down. They have initiated a countersuit against Buzbee, vehemently denying the allegations and characterizing them as “entirely fabricated and malicious.” Spiro’s filing asserts that Buzbee’s accusations are part of a calculated scheme to tarnish the rapper’s reputation and coerce a settlement. “These baseless accusations are nothing more than a weapon in a calculated plot,” Spiro stated, doubling down on their stance that the allegations are devoid of any factual basis.
The case took another dramatic turn when the woman Buzbee represents amended her lawsuit against Diddy to include Jay-Z. The timing of the amendment and the salacious nature of the claims have fueled a media frenzy, leaving the hip-hop icon fighting a battle both in the courtroom and in the court of public opinion.
Late Sunday, Jay-Z fired back with a defiant statement on X (formerly Twitter). “What he had calculated was the nature of these allegations and the public scrutiny would make me want to settle,” he wrote. “No sir, it had the opposite effect! It made me want to expose you for the fraud you are in a VERY public fashion. So no, I will not give you ONE RED PENNY!!”
This case is now racing against the clock, with Jay-Z’s legal representatives seeking an emergency hearing to address the allegations. Their urgency stems from the relentless media coverage, which poses a substantial risk to the Roc Nation founder’s reputation. This matter extends beyond a mere legal confrontation; it encompasses significant implications beyond the courtroom, a fight for his legacy.
The stakes are exceptionally high. Legal counsel Buzbee hints at the potential existence of additional alleged victims, thereby intensifying the spotlight scrutiny placed on both parties involved. With careers, reputations, and justice on the line, this legal showdown is poised to become a critical juncture within the music and entertainment industry. For fans and observers alike, the unfolding circumstances prompt inquiries regarding the veracity of the claims and the tactical weaponization of reputation in the court of public discourse.
-
Hip-Hop14 hours ago
Edley Shine Brings the Heat with ‘GR8NESS’
-
Music5 hours ago
Sarah Biddick’s Emotional Call, “Save Me” Bridges Heartache and Hope
-
Music6 hours ago
Jackie Minton’s “Understand” Turns Heartache into a Victory Anthem
-
Music6 hours ago
Tiger La Flor Shoots for the Stars with “LASSO THE MOON”
-
Artist Spotlight6 hours ago
Sophia B shares an authenticity in her self-produced release, “Old City (Live)”