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Drake Sued For $250K Over Alleged Nightclub Assault

Back in 2018, a man by the name of Bennett Sipes accused the likes of Drake, Odell Beckham Jr, and Younes Bendjima of having him beat up by security guards outside of the Lady Delilah Nightclub in Los Angeles. As the story goes, Sipes was trying to enter the men’s VIP lounge at the nightclub, where he was then rejected. By his account, Drake and OBJ were the aggressors as they told their security to deal with him. Drake and OBJ even watched the alleged beating took place, according to Sipes. A video of the alleged incident can be found below, courtesy of TMZ.

Drake, OBJ, and Bendjima were reportedly quick to deny any wrongdoing, alleging that Sipes was actually the instigator and that he tried to follow them out of the club. Regardless of these testimonies, Sipes is now officially suing all three men, including the nightclub, for upwards of $250K. In the lawsuit’s documents, Sipes says he wants damages from the men as he allegedly suffered “traumatic brain injury, as well as injuries to his back, neck, shoulders, etc.” He also says this money will be to atone for “past and future pain and suffering, medical bills, lost future earnings, past and future emotional distress, and punitive damages.”

Odell Beckham Jr.

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None of the parties implicated in the lawsuit have replied to Sipes’ recent court motion, so keep it locked to HNHH for any updates as we will be sure to bring them to you.

[Via]

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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