Artist Spotlight

Drown Your Heartaches with Robert Ross’ “Drink Em Down”

“Drink Em Down,” the latest single from Canadian/Australian country artist Robert Ross, is a raw, emotionally charged anthem that taps into the classic country tradition of drowning heartache in a glass. Co-written with the acclaimed Canadian artist and producer Gil Grand, this track offers a fresh yet familiar take on the themes of loss, betrayal, and the numbing solace found in a bottle.

The lyrics paint a vivid picture of a man reeling from heartbreak, returning home to discover his partner with another man. Ross’s vocal delivery is steeped in authenticity, capturing the pain and confusion of the moment. The chorus, with its repetition of “Drink em down,” serves as both a cathartic release and a resigned acceptance of his situation, underscored by a melody that lingers long after the song ends.

Musically, “Drink Em Down” leans into traditional country sounds, with twangy guitars and a steady rhythm that mirrors the relentless march of the barroom. The solo adds a touch of flair, providing a brief respite before the sorrowful narrative resumes. Ross’s collaboration with Gil Grand ensures a polished production that highlights the song’s emotional depth without overshadowing its simplicity.

What stands out most in “Drink Em Down” is Ross’s ability to evoke a sense of universality in his personal pain. The song’s relatability is its strength—it’s easy to imagine countless others nursing similar wounds, finding comfort in the ritual of “setting em up and drinking em down.”

As a precursor to his forthcoming album “Better With Time,” this single sets high expectations for what’s to come. Robert Ross continues to solidify his place in the country music landscape with a voice that carries both the weight of his experiences and the resilience to keep moving forward. Fans of traditional country music will find much to appreciate in this heartfelt and well-crafted track.

–Bob Thomas

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Great Adamz delivers a sensual yet mesmerizing afrobeat groove with his recent single, “Fantastic”

Great Adamz is back, and he’s bringing the heat with his latest single, “Fantastic.” A masterclass in smooth, melodic Afrobeats, this track features an intoxicating blend of sultry rhythms and dreamy synths that draw listeners in from the first note.

The Nigerian-born, UK-based star has been making serious waves in the UK music scene, and “Fantastic” is another undeniable step toward the top. His signature ethereal vocals float effortlessly over a laid-back yet pulsating beat, creating an atmosphere that’s equal parts hypnotic and exhilarating. The track captures the magnetic energy of erotic attraction, painting vivid imagery of a woman’s sensual body moves that speak louder than words, leaving an irresistible impression. Its lyricism takes audiences on an emotional ride, encouraging them to move, whether lost in a dimly lit club or vibing solo at home.

Coming off a strong 2024 with hits like ‘Talk To Me’ and ‘Kilon So,’ Great Adamz shows no signs of slowing down. His ability to fuse Afrobeat’s infectious grooves with a modern, international appeal is impressive. With “Fantastic,” he delivers a seductive, feel-good anthem primed to set dance floors ablaze and solidify his status as one of the UK’s most exciting rising stars. If this is how he’s starting 2025, taking it by storm, we can’t wait to see what he has in store next, and this new release, as the title suggests, is absolutely fantastic, further proving he is here to stay.

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Artist Spotlight

Suge Knight Calls Out Kanye West Over Offensive Comments on Carter Twins

Suge Knight is known for speaking his mind, and in a recent interview on a show called Art of Dialogue, he shared strong opinions about Kanye West’s recent behavior. Kanye, who is often in the spotlight for his controversial actions, made headlines after insulting Jay-Z and Beyoncé’s children in a tweet. Suge found this particularly unacceptable. “I need to talk to Kanye,” Suge said, clearly upset. “We should never disrespect anyone’s kids.” He was disturbed by Kanye calling the Carter twins a hurtful name, emphasizing that this kind of behavior is unacceptable in both hip-hop and society in general.

“You don’t talk about Jay and Beyoncé’s kids and call them names. That’s crossing the line.” For Suge Knight, this isn’t just about one tweet, it’s about a larger issue. He feels that such hurtful comments not only impact the people involved but also reflect poorly on hip-hop and Black culture as a whole. “I expect more from people in hip-hop and our community,” he stated. “We’ve come a long way, and we should stand up for each other, especially when it comes to protecting kids and those who are vulnerable.”

This isn’t the first time Kanye has faced backlash for his controversial remarks, but Suge clarifies that calling out children is where he draws the line. “That’s not funny to me, not at all,” he remarked, suggesting that there should be real consequences for Kanye’s words. “He needs an old-fashioned lesson.” Suge Knight’s comments remind us that, regardless of how famous an artist is, there are still moral limits that shouldn’t be crossed, especially when it comes to children. His call for accountability sends a strong message to Kanye West and anyone else who might think it’s acceptable to attack innocent kids in the hip-hop world.

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