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Artist Spotlight

Elliott Wilson Slams ‘Jail Albums’ After Tory Lanez Drops Peterson

HonkMagazine

Music journalist and hip-hop influencer Elliott Wilson has strong opinions about artists releasing music while in prison. Recently, he discussed this topic on his show, The Bigger Picture, after Tory Lanez dropped a new album called Peterson while serving his sentence. Wilson believes that if someone is in jail, they should be focused on getting better and reflecting on their life rather than being active in the music scene. “I think when you’re in jail, you should kind of disappear,” Wilson stated. “The point of being in there is to take a break from everything, to think about what you’ve done and work on yourself.”

Wilson’s comments highlight a bigger issue, Should artists continue to share music and connect with fans when they are behind bars, or should they use that time to be more silent and reflective? With Lanez’s new album gaining attention from his fans, Wilson argues that this keeps the artist in the public eye in a way that goes against the purpose of serving a sentence. He added, “I don’t want to be part of your promotion,” reinforcing that his stance goes beyond just Lanez. He doesn’t agree that someone in prison can still be part of society. “You’ve been told to take a break; deal with it.” Tory Lanez was found guilty for his involvement in the shooting incident with Megan Thee Stallion and has remained vocal about his situation through his music.

His album, Peterson, expresses his emotions and perspective on his struggles, but Wilson questions whether it’s right for artists to stay culturally relevant while serving their sentences. He asked, “Is it wrong for me to just want you to serve your time?” Wilson’s thoughts have sparked discussions among fans and critics. Some believe that music is a way for artists to express themselves, regardless of their situations, while others agree with Wilson that being in jail should mean a pause in their public presence. No matter the opinion, Lanez’s album is already out, making an impact that people will notice, whether they like it or not.

Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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