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Eric Trump Says Dad “Lost An Absolute Fortune” During Presidency

Donald Trump has been under fire, atleast more so than usual, in the lead up to the next presidential election in November. NYT’s bombshell report on his tax returns revealed that he lost a lot of money and owes a lot of money as well. Though you’d never expect anyone from the Trump camp to admit that, Eric Trump’s recent visit to ABC included an admission that his father had “lost a fortune” during his time in the Oval Office.

Eric Trump was asked about allegations that his dad had pay-for-play deals with organizations from international governments to private companies who’d stay at his hotels in exchange for massive contracts with the U.S. Trump allegedly did this in hopes to have the favor repaid back to him down the line. Eric didn’t necessarily respond to this directly. Instead, he went off about his father’s supposed accomplishments before confirming one thing from the NYT report — his father has lost a lot of money. 

“We’ve lost a fortune. We lost an absolute fortune running for president. He doesn’t care. He doesn’t care. He wanted to do what was right,” Eric explained. “The last thing I could tell you Donald Trump needs in the world is this job. He wakes up in the morning and he has to fight you and he has to fight the entire media. And he has to fight the Democrats,” he continued as he listed off his father’s supposed accomplishments, drifting further away from the topic. The best part of the video is when Eric Trump’s voice cracks like a prepubescent child when he gets pressed about answering the actual question.

Check it out for yourself.

[Via]

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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