Music

Exclusive Interview With The Explosive Collective Thirsty Worldwide

Creative Collective Thirsty Worldwide announces the release of a brand new joint titled “No Too Much,” as well as the album Thirsty Tape Vol. 1. The talented trio is reserving this special opportunity to give insight into their music world.

“No Too Much” is truly a track to set on repeat. Tell us more about the creative process that led to it?

STRAFFITTI: No Too Much was the last track recorded for the project at the Thirsty camp, it was one of the most collaborative tracks involving all members directly or indirectly, down to writing, producing, shooting, editing, mixing, every single member had an input to this.

JAIYE: In all honesty. The process wasn’t outside the everyday process we follow as artists. But I’ll say the song was something we were conscious about while recording because it definitely adjusted into a smash hit as we kept building up the song.

KXNGWUAP: No too much was a vibe made in the thirsty camp, it was a collaborative effort with the producers to make the sound the thrillest.

How does a typical production day go for you guys?

STRAFFITTI: Wake up, beats are already banging out different speakers, everyone’s writing…first to finish his verse gets on the mic, anyone with the catchiest hook goes in, develops more ideas around the laid vibes, songs complete! Move into other creative design spaces, bring more light to it.

JAIYE: A typical production day I’d say get lots of thirst and driven young producers, beautiful looking ladies. Lots of alcohol and the natural spice of God.

KXNGWUAP: It’s always a productive day around Straffitti and Jaiye. We put a lot of time and work into shaping our sounds. It’s all vibes and positive vibrations.

Who would you like to collaborate with on your upcoming songs?

STRAFFITTI: Anyone Thirsty enough.

JAIYE: Don’t really have my sights on any features but I mean. Who wouldn’t want a Drake feature. Or a Davido feature.

KXNGWUAP: I definitely want to make sounds with the biggest Artists in Nigeria Wizkid, Burnaboy and Davido. Foreign collaborations with artists like Travis Scott, Don Toliver and A boogie wit da hoodie.

How would you best classify your genre?

Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

Connect with Mamas Gun on Spotify || Instagram || facebook || Youtube

Tweet LinkedIn PinShares0

Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.