Music
Exclusive Interview With The Explosive Collective Thirsty Worldwide
Creative Collective Thirsty Worldwide announces the release of a brand new joint titled “No Too Much,” as well as the album Thirsty Tape Vol. 1. The talented trio is reserving this special opportunity to give insight into their music world.
“No Too Much” is truly a track to set on repeat. Tell us more about the creative process that led to it?
STRAFFITTI: No Too Much was the last track recorded for the project at the Thirsty camp, it was one of the most collaborative tracks involving all members directly or indirectly, down to writing, producing, shooting, editing, mixing, every single member had an input to this.
JAIYE: In all honesty. The process wasn’t outside the everyday process we follow as artists. But I’ll say the song was something we were conscious about while recording because it definitely adjusted into a smash hit as we kept building up the song.
KXNGWUAP: No too much was a vibe made in the thirsty camp, it was a collaborative effort with the producers to make the sound the thrillest.
How does a typical production day go for you guys?
STRAFFITTI: Wake up, beats are already banging out different speakers, everyone’s writing…first to finish his verse gets on the mic, anyone with the catchiest hook goes in, develops more ideas around the laid vibes, songs complete! Move into other creative design spaces, bring more light to it.
JAIYE: A typical production day I’d say get lots of thirst and driven young producers, beautiful looking ladies. Lots of alcohol and the natural spice of God.
KXNGWUAP: It’s always a productive day around Straffitti and Jaiye. We put a lot of time and work into shaping our sounds. It’s all vibes and positive vibrations.
Who would you like to collaborate with on your upcoming songs?
STRAFFITTI: Anyone Thirsty enough.
JAIYE: Don’t really have my sights on any features but I mean. Who wouldn’t want a Drake feature. Or a Davido feature.
KXNGWUAP: I definitely want to make sounds with the biggest Artists in Nigeria Wizkid, Burnaboy and Davido. Foreign collaborations with artists like Travis Scott, Don Toliver and A boogie wit da hoodie.
How would you best classify your genre?
STRAFFITTI: We make totally anything & everything, it’s a whole vibe here at thirsty as we would never be bounded by a genre, but keep ties with our Hip-Hop/Rap/Trap background.
JAIYE: Well I’ll say I’m one of the earliest pioneers of the Drill sound in Nigeria. Largely I tend to make more drill music but you can say I’m Hip-Hop regardless
KXNGWUAP: We feel comfortable in different genres. I’m more of a hip/hop and rap type guy while Jaiye is one of the first pioneers in drill music in Nigeria. Straffiti is versatile with his art/music, he always has a vibe for a beat.
How did this trio musical relationship happen?
STRAFFITTI: It’s more than a trio, there are more members out there than we know ourselves, We still hunting down Thirsty humans round the universe, this is just the main family including producers that birth the sound as well (gcl3f, hotboii, jxses, retrro5)
JAIYE: Man, I’ve been around Kxng and Straffitti and the whole gang since the inception of Thirsyworldwide. We were college boys with a common set left goal. Which is to never let the thirst die.
Do you guys run into any creative differences? If so, how do you manage?
STRAFFITTI: Sometimes, but being the Thirsty Humans we are, there’s always a similar and directed vision.
JAIYE: Not really, we never have any creative differences. And if it does happen. We talk it out to achieve whatever it is we hope to by incorporating everyone’s 2 cents.
KXNGWUAP: Our musical relationship is solid because of our common similarities and goals. We stay motivated and keep the thirst alive.
Are there any upcoming tracks to look out for?
STRAFFITTI: A lot, stay tuned with the gang! Follow us @thirstyworldwide
JAIYE: A ton of tracks. Any song out of the ThirstyWorldWide staple is worth being hyped over. But for me I’ll say personally you should look out for Questions. That’s off our coming tape.
KXNGWUAP: Yeah I personally got a lot of unreleased tracks but I’m really looking forward to a thirsty sonics release; A better place featuring Straffitti.
Thank You!
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
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“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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