Artist Spotlight
Eylsia opens up to a feeling of longing with latest release “If You Were Here”
Eylsia’s latest release, “If You Were Here” is a contemporary pop track that immediately pulls you in with its infectious production and memorable chorus. The song revolves around a polished pop character that feels accessible without losing sight of the emotional center. The track doesn’t get too complicated, keeping its focus clear so the central feeling can shine through naturally, and the production gives it the kind of energy that makes the chorus easy to remember.
“If You Were Here” lies in the contrast between the pop foundation and the undercurrent of anticipation. The song dreams of how one moment of intimacy might change the mood, the emotional distance into possibility. This makes the song feel relatable, especially because the songwriting expresses the need for someone to be there without being too dramatic. The production keeps things moving, and the emotional concept keeps the song from fading.
If You Were Here” is the sort of chorus-led construction made to linger after the song ends, while its emotional premise gives the catchiness real heft. The whole thing seems made for an audience that likes contemporary pop music that is accessible and emotionally transparent, and Eylsia’s latest is a warm listen from start to finish with a catchy hook in the middle.
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Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
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