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Flee Lord Keeps It G On “Line Stay Buzzin”
Yesterday, New York rapper Flee Lord came through with another project, following up the recent Pray For The Evil 2 which arrived a little over a month ago. This time he’s lined up Lord Talk Trilogy, a concise and expectedly grimy ten-song effort that clocks in at a reasonable twenty-seven-minute runtime. Should you pine for the spirit of Mobb Deep’s early music, or the high-intensity work of Onyx and Sticky Fingaz’ solo music, Flee Lord might be exactly what the doctor ordered.
For those unfamiliar with what the Prodigy protege brings to the table, look no further than the early highlight “Line Stay Buzzin’,” a piano-driven underground banger that’s as grimy as they come. “Griselda gave me light, now I’m taking flight,” he spits, alluding to his affiliation with Conway The Machine, Westside Gunn, and Benny The Butcher. “Twelve drops in twelve months, I ain’t sellin’ nathan white / kids eatin’, touring now, ain’t no crib-leaving / gotta hold a conference call if we need a big meeting.”
Check it out for yourself now, and sound off — are you keeping Flee Lord on your radar? If so, be sure to stream Lord Talk Trilogy right here.
QUOTABLE LYRICS
Griselda gave me light, now I’m taking flight
Twelve drops in twelve months, I ain’t sellin’ nathan white
Kids eatin’, touring now, ain’t no crib-leaving
Gotta hold a conference call if we need a big meeting
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Pete Miller Explores Duality on “The Dazzling Kimberly”
Pete Miller’s ‘The Dazzling Kimberly’ is a profound exploration of the intricacies of human emotion and the complexity of our relationships. Through its narrative, the song delves deep into the heart of love, loss, and the paths we choose in life. The protagonist’s journey of self-reflection and contemplation, sparked by the enigmatic Kimberly, serves as a mirror to our own experiences with love and the often painful lessons that come with it.
“The Dazzling Kimberly” is a poignant song that narrates the story of two twins embroiled in conflict, who are brought together and eventually reconciled by their interactions with a mystical figure named Kimberly. This song, with its rich narrative and allusions, particularly to the biblical story of Jacob and Esau, offers a layered exploration of themes such as rivalry, redemption, and the ephemeral nature of life and relationships.
The song opens with a vivid depiction of one twin’s sense of guilt and moral ambiguity, contrasting his own cunning with his twin’s straightforward approach. This internal conflict sets the stage for the entrance of Kimberly, a figure whose very existence seems otherworldly, serving as a catalyst for change and reflection in the twins’ lives.
Kimberly, characterized by her wisdom and almost supernatural presence, challenges the narrator to reconsider his values, suggesting that victories won through cunning lack the essence of true love and fulfillment. Her influence is profound, guiding the twins towards a reconciliation that seemed impossible before her intervention.
The chorus of the song encapsulates the narrator’s deep yearning and the transformative impact Kimberly has had on his life. It questions the value of freedom and the significance of their bond, highlighting the impermanence of life through the metaphor of fading air and shifting sands.
The resolution of the twins’ conflict, prompted by Kimberly’s disappearance (or passing), symbolizes a newfound maturity and understanding. The once-contentious land becomes a symbol of their shared heritage and reconciliation, underscoring the message that love and unity are more valuable than any material possession or victory.
The allusion to Jacob and Esau provides a biblical backdrop to this tale of rivalry and reconciliation, enriching the narrative with layers of meaning and moral questioning. Just as Jacob and Esau reconcile after years of conflict, so do the twins, guided by the ethereal and loving presence of Kimberly.
The song’s melancholic yet hopeful tone captures the duality of human experience—the longing for what was and the hope for what could be. The moods and themes you’ve described, from melancholy and contemplation to love, regret, and redemption, underscore the universal struggle with fate and the desire for moral clarity and closure.
For further thematic exploration, the works of Leonard Cohen, particularly for their spiritual and existential undertones, or the poetic narratives of Bob Dylan, might resonate with the themes of “The Dazzling Kimberly.” Both artists adeptly weave complex human emotions with broader philosophical and spiritual questions, much like Pete Miller does in this song.
–Ralph Grossman
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