Music

FOLLOWAY paints love across miles with beautiful debut “In My Mind”

In a digital age where everything is at our fingertips, emerging singer-songwriter FOLLOWAY reminds us that real communication is rarely that simple when it comes to matters of the heart with “In My Mind.” This is a confession and a memory. The whole song process came together supernaturally, almost like all the elements were there without me thinking. FOLLOWAY is quickly becoming a reason to watch and listen. “In My Mind” is the official opening salvo of the young artist’s sonic transmission, and it hits you in the gut like you only can when something is profoundly personal.

The song is an aching, bursting tale of long-distance love in which memories bring heat but can’t replace the real thing. FOLLOWAY sings about emotional detachment, and they sound it. The production here is a quietly remarkable work. Where digital gloss is concerned, FOLLOWAY embraces rawness, simple and undiluted. Recorded with classic microphones, the track has that rich analog quality you can almost feel the warm embrace of the past. There’s a physicality to its sound crackles, warmth, and imperfection that makes every note feel lived in. FOLLOWAY delivers soul with an unassuming vulnerability. There’s a reserve in the performance, and therein lies the power. It doesn’t scream, it aches.

And that ache is all too authentic for anyone who has tried to make love last across time zones and discrepancies. “In My Mind” is just as arresting. Shot between Turkey and the UK, the music video is an expansive visual diary that gets under the skin of the tension between solitude and yearning. Cinematic landscapes, lingering frames, and emotionally charged imagery make a world where connection always seems on the brink of possibility, even before reality intrudes. FOLLOWAY’s debut is not simply a love letter to analog sound, however, it is a love letter to love the love that never really leaves you, even when the person has. “In My Mind” raises a high bar for what’s emotional and artistic.

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Artist Spotlight

Boorook creates a hip-hop anthem for change on “Fight For Your Rights”

Boorook’s latest release, “Fight For Your Rights,” is both a song and a movement. The Indigenous people have a strong voice, and from the first beat, the song has a strong, urgent, and very human energy. “Fight For Your Rights” is an example of how conscious hip-hop can serve as art activism. The track is about unfair systems, and it’s clear that it supports the Black Lives Matter movement. Clarke’s performance is more than just a show, it’s a call to action that tells people to face hard truths and connect with the pulse of community and defiance.

Thomas Lorenzo’s live guitar adds an unexpected yet beautiful layer, giving the rhythm an emotional depth that makes it feel soulful. The track sounds real because it has real instruments and hip-hop beats. This shows how good Boorook is at mixing styles and still getting the message across.

People feel like they are part of a group when they listen to the song “Fight For Your Rights.” The lyrics are deep, and the music is good. It’s a song that makes people want to get together, think, and do something. Boorook doesn’t just play music; he makes people feel strong by turning every beat into a heartbeat for change.

Boorook’s new release reminds us that music can still be a powerful force for truth and change in a world where trends come and go. “Fight For Your Rights” is a call to action, an anthem, and proof that music can still bring us together, make us think, and motivate us.

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Artist Spotlight

Malammore unveils a new voice rising from portugal’s margins on new album “Aurora”

Malammore, whose real name is Sandro Feliciano, is a singer, songwriter, and producer from Lisbon, Portugal. “Aurora” is his first album. The album comes out on January 23 and tells the story of his life as a young Black man, his search for belonging, and his country’s cultural resistance. The lyrics talk about love, adoption, thoughts on humanity, and how the artist sees his role in the world. The concept for the album originated from a notebook containing poems, narratives, and my self-perception within this world. It’s a record of the Black experience in Portugal, of belonging and feeling alone, of love and loss.

Sandro, also known as Malammore, was born in 2005 and lived with the Portuguese State for two years until he was adopted in 2008, which was a big change in his life. One of the main ideas in Aurora is to turn the idea of a “black hole” into “the world’s white hole,” which shows a universe that erases identities. He challenges dominant narratives and changes how people see black bodies in society by filling it with the idea of blackness.

The album mixes hip-hop, rap, trap, and spoken word, which is not something that is usually done. Malammore gets the political tone of the project from people like Malcolm X, Muhammad Ali, Angela Davis, and Fela Kuti. No Icon (Rodrigo Fernandes) did the production, mixing, and mastering for the album at Lisbon Sound Society.

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