Music

James Chelliah x Cam May “i cannot tell, i do not know”

James Chelliah and Cam May are excited to release “I cannot tell, I do not know” on the 2nd of January 2022. “I cannot tell, I do not know” – a follow up to “Hold On, Pt. 2”, James’s highly-acclaimed collaboration with Moses Boyd and DARGZ – is an existential indie rap project accompanied by a graphic diary created by textile designer and illustrator Grace Joyram, which aims to present a detailed composite representing the range of emotions experienced and explored throughout the pandemic and subsequent lockdowns.

The project is a clarion call for those blindly walking through a life lived within the preordained boundaries set by others, and a sonic jolt to those whose bodies and minds are tired of the endless fight against the accepted norm. It explores the odd simultaneous contentment and frustration felt by many over the past two years, juxtaposing the tranquillity of monotony against discomfiting feelings of stagnation and aimlessness brought about by pandemic life.

Cam artfully plays with contrasts of light instrumentation and minor melodies to emphasize James’ scathing lyrics, ensuring that frankness is breathed into each piece. ‘Yaldabaoth’ layers mellow guitars with probing lyrics that question the obsession with social media, the transience of young-adult friendships, and living life through a lens, before slamming the listener into ‘Slurp’, a hypnotic and provoking ode to social proof and the desire to belong. As James notes “I looked at the life I was living and decided that I’d had enough. I reassessed friendship expectations, ambitions, communication norms, wants, needs. I started to make changes to reflect what I wanted: less of everything the world told me was important.”

This theme of contrasts continues with the ripe melancholy of ‘Fullish’ and its considered contemplation of the always-online world, and the mocking sonics and lambasting lyrics of ‘Couch’. The use of interludes and instrumental tracks ‘Alone’ and ‘Emptyish’ serve to tease kernels of the potential for us to live alternate lives, and create a space to digest what has been heard prior. The project concludes with ‘Something, at least drawing the listener to relief in recognizing that there can be a route to peace in the gradual acceptance of the different reality thrust upon us. Of the graphic diary, Grace says, “Initially the imagery is complex, jumbled, and caliginous. However, as the pages turn, the visuals get clearer and more comprehensible, representing the gradual acceptance of a different reality as time passed. The outcome represents a new perspective that we were able to gain from each passing day; a slower world allowing extra contemplation.”

The message of “I cannot tell, I do not know” shines a light on a risk we all face – becoming victims of the machinations of capitalist culture which keep us falsely satiated and unquestioning. James says: “We started writing this project when we realized that we weren’t looking forward to returning to a pre-covid life. Every day feels like a fight against conditioning, a fight against the self. The weight of the old world is heavy, what we’ve learned is light. The usual is returning and I cannot stop it. But I won’t participate. I cannot tell, I do not know.”

Stream Below:

Tweet LinkedIn PinShares0

Album Review

Brynja Rán finds clarity in complicated relationships on “Unblurred” [album]

It can be hard to see when a relationship no longer meets your emotional needs, especially when affection, uncertainty, and repeated disappointment are hard to untangle. “Unblurred,” an album built on the bedrock of emotional unavailability, recurring conflict, and the slow dawning that a relationship might need to end, is where Brynja Rán unpacks that difficult process.

The ten songs follow the arc of attachment and frustration, weaving together the story of someone trying to figure out what they deserve. The focus track, “Unblurred Lines,” hits on the album’s central concept. This is when the veils begin to fall, and the person is more ready to see the partner’s behavior for what it is. The song is musically rich, with an acoustic and electric guitar soundscape, synthesizers, bass guitar, drums, and additional instrumentation.

The surrounding songs view the same emotional landscape from different angles. “Cowboy Wannabe” explores a partner masking insecurity with a detached personality, and “Deja Vu” captures the frustration of arguments that go round and round without changing anything. “Adore” is about ignoring red flags when you’re that into something, and “Cherry” is about the temporary comfort of being in a relationship that just isn’t right.

The album opens up by looking at borders and the need for real connection. “Make Me Feel” is about wanting to be loved, and “Until” is about how long you should stay in the twilight zone. “Still Stuck Waiting” captures the frustration of waiting for communication and commitment. “Don’t You Leave” begins with fear of abandonment and moves toward healing, while “What Else” ends the record with emotional exhaustion and a desire to move on.

Rather than treating every experience as a one-off event, the tracklist of “Unblurred” attempts to create a single image of relationship troubles. With this release, Brynja Rán explores unhealthy patterns, boundaries, and getting the clarity to choose a different path.

Connect – Instagram | Spotify |

Tweet LinkedIn PinShares0

Album Review

Legends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]

Albums often have a strong sense of identity, with songs linking to a broader emotional and musical direction. The nine-song album “The Pumphouse of Broken Dreams” by Legends of the Seven Golden Vampires, featuring Dutch vocalist Ilse Van Der Linden front and center, is more cohesive.

The band’s melodic psychedelic pop offers a welcome counterpoint to a project that explores recovery, longing, uncertainty, and personal growth. The tracklist is an emotional journey. “To Think, To Heal” starts with the idea of mental healing and moving on from the past. “Flying” is more of an escapist wish to escape the pressures of day-to-day life. “Come Home” is about finding comfort and belonging.

“Here I Am” is about self-awareness and openness. Together, these early songs form an album about finding stability and processing difficult experiences. The middle ground is more emotionally layered. “Hopelessly Devoted To You” is about being attached all the time, and “Lost & Burned” is about being worn out and the results of hard experiences. Then there is “In My Dreams,” which turns into memory and unfulfilled wishes. Later, “AIR” brings the need for freedom, air, space, and a new start.

It ends with “BLEND,” a combination of psychedelic, shoegaze, and electronic influences. The release also includes another visual element from Gareth Halliday, who also worked on Noel Gallagher’s High Flying Birds Who Built The Moon. “The Pumphouse of Broken Dreams” has softer vocals and a range of emotions. This album is deliberately constructed, moving from reflection to acceptance without losing the variety of experiences it tackles.

Connect – Website | Instagram |