Music
Foxfeather Delivers An Empowering Showcase Of Resilience On New Single “Too Damn Small”
“Too Damn Small” is an energetic, passionate alt-americana anthem telling the story of finding power in spite of adversity.
Alt-Americana band Foxfeather invigorates listeners with their newest single “Too Damn Small,” out January 28th. This energetic feminist anthem embodies self-empowerment and perseverance at its core; for band leaders Laura Stratton (guitar, keyboard, writer/composer) and Carly Ricks Smith (lead vocals, writer/composer), it represents “a reminder of [their] purpose and place in this world and in music, and commitment to continuing to create.” “Too Damn Small” is the lead single from the band’s upcoming album, The Nature Of Things, out early 2022. Influence from icons like Stevie Nicks, Brandi Carlile, and Lake Street Dive’s Rachel Price shine through on this track with a contagious groove and powerhouse vocals.

Co-leader and songwriter Carly Ricks Smith wrote this song as the world initially descended into lockdown; “Too Damn Small” delves into the experience of grappling with an unknown world and a highly altered future. The lyrics and structure for this song came to Ricks Smith in an existential panic in the middle of the night, and developed into the epic final product in collaboration with Stratton. Kate Farmer lends her angelic backing vocals to the record, while Blake Smith’s electric guitar sets the track on fire. Jay Elliott’s percussion lays a punchy foundation for the track beefed up by Mark Dabrowski’s groovy bass and embellished with Eric Moon’s bright synthesizer. For the band’s producer Eben Grace, “The Nature of Things is a perfect swirl of Laura and Carly’s masterful songcraft, the band’s organice, burnished delivery, and Carly’s drop-dead vocal virtuosity. Everyone behind the mic brought joy and energy to the album which leaps out of the speakers as it spins. This is a timeless record.”
Listeners can stream “Too Damn Small” on all major streaming platforms January 28th.

More About Foxfeather:
Foxfeather is a sultry, alt-americana band founded in 2013 in Boulder, CO. Beginning with a lyrical base, and bolstered by strong blues-rock instrumentals, Foxfeather’s unique sound captivates their audience. Songwriters Carly Ricks Smith and Laura Paige Stratton met in high school, connecting over their shared love of music. The pair began writing together in 2005 and have been creating material for, and leading their band for the past 7 years. Foxfeather is extremely proud of being an advocate of women in art and in business, and strives to motivate and empower other women and allies through song. The band is a local staple in the Colorado Front Range and also tours nationally.
In 2014, with the help of engineer Justin Roth of Fort Collins, the group released their debut EP, Foul Moon. The six-song collection garnered local attention, with The Marquee stating that “the group is overflowing with talent” and “Carly Ricks Smith has a spectacular voice which lies somewhere between the folky soprano of a young Joni Mitchell and the jazz-heavy range of Lake Street Dive’s Rachel Price. powerful as well as delicate.”
Foxfeather returned to the studio in 2016 to record and release their self-titled and full length album, Foxfeather. Working with producer Jagoda of New York and engineer Jay Elliott of Boulder’s own IntroVertigo Studios, the band created this dark and dusky album. The album features a collection of songs that explore the grey areas of life, whiskey, love and death.
2018 brought the release of a four song EP collection, Come and Get Me. The band again worked with Jagoda and Jay Elliott, but split the process between IntroVertigo Studios and Fox Run Studios in Boston. Smith and Stratton were able to show their versatility through this project, with the four songs showcasing the breadth of their voice and of their songwriting abilities.
Foxfeather is set to release their newest album in 2022 through PS Audio and Octave Records. The full length album, entitled “The Nature of Things,” features the current band line-up and additional musicians Kate Farmer (backing vocals), Eric Moon (organ/synthesizer), Eben Grace (pedal steel/guitar) and Oliver Jacobson (fiddle). The album was recorded at PS Audio Studios in Boulder, CO, Animal Lane Studios in Lyons, CO, and The Barn in Longmont, CO. Producer extraordinaire is Eben Grace, and Engineering magicians are Jay Elliott and Gus Skinas.
In the last five years, Foxfeather has captured their audience with their unique and sultry songs, sharing stages with The Gasoline Lollipops, Lee Fields and the Expressions, Yonder Mountain String Band, Woodbelly and Andrew Bird. Their songwriting and performance is influenced by a wide variety of artists including Brandi Carlile, Bonnie Raitt, Margaret Glaspy, Ani Difranco, and Stevie Nicks. The band’s current lineup includes Carly Ricks Smith (lead vocals, writer/composer) Laura Paige Stratton (guitar, keyboard, writer/composer), Blake Smith (lead guitar), Mark Dabrowski (bass guitar), and Jay Elliott (drums and percussion). The group is proud to utilize their voice to embolden and rejoice in both the frailty and the power of humanity. With expressive instrumental tone, powerful vocal melody and harmony, and passionate performance, this band is ready to win your hearts.
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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