Music

François Marius returns with a new single, “Who Let the Dogs In?”

François Marius is back with a growl and a groove, delivering a bold, genre-blending anthem, “Who Let the Dogs In?” A smooth R&B/Soul track that carries the bite of a message wrapped in a velvet vocal delivery, the Canadian singer is no stranger to blending style with substance, and this latest release showcases his ability to ride a sultry beat while making a statement. “Who Let the Dogs In?” feels like a modern soul sermon where rhythm, reflection, and raw charisma converge.

From the moment the beat drops, the listener is pulled into an equally silky and gritty atmosphere. François’s vocals glide confidently over a head-nodding groove that echoes the golden age of R&B while keeping things current. There’s an old-school elegance here, but it’s filtered through a fresh lens through Marvin Gaye’s soul with a touch of 2025 edge. The title might raise eyebrows at first glance, but rest assured, there’s real intent behind the metaphor.

François doesn’t overcomplicate things, and that’s the charm. The track carries an almost conversational flow like he’s telling you a story while leaning back in a vintage leather chair, a glass of something substantial in hand. It’s cool without trying, smooth without being soft. There’s an undercurrent of social awareness and quiet rebellion in the tone, as well as a subtle growl beneath the groove that gives the song staying power.

And let’s talk production “Who Let the Dogs In?” is shiny in all the right ways. It’s warm, textured, and spacious, giving François’s voice room to breathe and connect. The instrumentation leans into that classic soul palette, with a modern bounce that gives it radio-ready appeal.

In a world of noise, François Marius delivers something that sticks a track that doesn’t beg for attention but earns it. “Who Let the Dogs In?” is a reminder that R&B/Soul is evolving, and artists like François are leading the pack.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.