Music
Freddy Monday Grapples With The Devastation Of Heartbreak In Emotional Ballad “Maybe I’m A Fool”
“Maybe I’m A Fool” lays everything on the table; Freddy Monday vulnerably pours his heart into this gut-wrenching soul anthem recounting an unexpected loss of love.
Soulful pop singer-songwriter Freddy Monday explores the depths of a broken heart in his moving single, “Maybe I’m A Fool,” in which he faces a harsh reality he never anticipated coming to fruition. Released alongside an enticing music video steeped in melancholy, this project is a cathartic expression of the brooding emotions inherent to such a profound loss. Monday conveys the full scope of these emotions with his intense, buttery vocals backed by wistful keys and glimmering strings. This track is a sonic masterpiece characterized by a climactic build from stripped back verses to decadent choruses embellished by an angelic blanket of crystal clear background vocals. Monday captures an intimate showcase of raw emotion bound to move fans with every listen on this project. “Maybe I’m A Fool” is an anthem made for anyone dealing with the hard-to-process recovery inherent to heartbreak. Freddy Monday proudly led the writing and recording process for this track, as well as directed and edited the music video.
Stream “Maybe I’m A Fool” on all major streaming platforms out now.
More about Freddy Monday:
Freddy Monday, the singer/songwriter, producer, multi-instrumentalist and the founder of award-winning Endo Music, New York, a diverse group of creative content development professionals, has had his music featured in a wide array of film and television projects. Among them the ending theme song for the Emmy-winning Nickelodeon animated show “The Loud House”; the 2014 Steve Jobs bio pic “Jobs,” which featured his song “There Were Times” in the film and soundtrack; as well as the films “Mall,” HBO’s film “Hello Ladies: The Movie,” the title track for “Born To Ride” and numerous shows on CBS, HBO, Bravo, USA, TNT, A&E, Audience, History, Bio, Sundance, TruTV, CW, NGC, TLC, Fox Sports, MTV, Palladia, Lifetime, VH1, Encore Family and on Jerry Seinfeld’s web series “Comedians In Cars Getting Coffee.” Born and raised on Long Island, Freddy has worked with a bountiful variety of music industry pros both on stage and in the studio: among them Alan Menken, Jimmy Buffett and Davy Jones. His video/single “Me Are You Are Me” was directed by award winning filmmaker Martin Guigui and Monday teamed up with producer Jason Carmer (Third Eye Blind, Run-D.M.C) and renowned drummer Michael Urbano (Smash Mouth, Sheryl Crow) on the track. Freddy is currently working on his fourth album and new single “Maybe I’m A Fool” which will feature Richard Maheux (Enrique Iglesias) on piano, John Rienzi (Quarter Horse) on drums, co-writer Joey Auch on electric piano/B3 and string arrangement by Inyoung Park.
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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