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Gillie Da King Blows Up On Wack 100 For Defending Birdman
It was only a few weeks ago when Gillie Da King confirmed rumors that he had written for Lil Wayne during his days with Cash Money. In that same interview, Gillie didn’t go too hard on Birdman but he did mention that part of the reason he left was because of bad business.
On the latest episode of Million Dollaz Worth Of Game, Gillie made his feelings towards Birdman extremely clear when he and Wack 100 started arguing over Cash Money. With Blueface serving as the guest, Wack 100, who co-owns Cash Money West, leaped at Baby’s defense, declaring the music mogul as the top indie executive in the world as Gillie flew off the handles. “What that got to do with being real?” Gillie asked Wack 100 who seemed like he was walking on eggshells.
“All these n***as is fake bitch ass n***as,” Gillie screamed at Wack. “He robbed every n***a he came in the game with.”
As Wack tried to claim that it was more or less Gillie’s fault that the deal with Cash Money went left, Gillie grew even more furious. Gillie explained that he had signed a deal with Birdman but didn’t sign off his publishing and when Cash Money wanted his publishing, Gillie didn’t budge.
Gillie’s unresolved issues towards Birdman stem from the early 2000s but apparently, even those close to him are tired of hearing his grievances towards Cash Money. Wallo slammed Gillie at one point in the interview for still bringing up these problems.
“Fuck outta here! Don’t you ever disrespect Birdman… You still got the panties in your ass,” Wallo told Gillie. “Let that shit go. Cash Money records. That’s why he fuckin’ with me. I’m tired of this shit. I don’t want to hear that shit no more about no fuckin’ Birdman on Million Dollaz Worth Of Game.”
Unfortunately, that just got Gillie riled up even further. After Wallo poked his face, the two looked just about ready to square up. Peep the video below.
Artist Spotlight
Billy Chuck Da Goat finds his flow on new release “Vibez”
Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.
“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.
The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.
Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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