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I Used To Be Sam Presents a New Single ‘MOUNTAINS’

Internationally acclaimed singer, songwriter and vocal powerhouse I Used To Be Sam (aka Annie Goodchild) returns with their brand new single ‘Mountains’, out now. The track is the latest installment taken from their upcoming debut EP, ‘I Used to be Sam’, set for release this summer.

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Previously known for her work as Annie Goodchild and as a featured singer in the musical collective Postmodern Jukebox, I Used To Be Sam steps into a complex journey of transracial adoption and self-discovery on their new EP ‘I Used to Be Sam’ – an explorative new collection of deeply personal, cinematic, left-field pop, all wrapped up in the singers distinctively illustrious voice.

After taking an Ancestry DNA test, I Used To Be Sam learned that before being adopted, she used to be named Samantha. Album cornerstone ‘Mountains’ explores the sensation of emerging up out of ‘the fog’; a term that some adoptees use to describe the way they feel, think, and operate while growing up cloaked in denial, conditioning, and ignorance. Coming out of the fog refers to the organic and non-linear process by which an adoptee begins to unlearn and deconstruct the mythologies taught to them about adoption by their adoptive family and mainstream society at large.

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‘Mountains’ ties into the specific day on which I was adopted,” they explain. “My parents invited loads of people over to the house to welcome this kid to a completely different place, with all these people touching and holding my body and passing me around.” The excited new parents had just intended to welcome their baby to the family but inadvertently created a harmful setting despite their good intentions. “I ended up having a big seizure as a result. I also learned recently that for almost a year afterward I would have these episodes where I would just hardcore disassociate.”

One of the aspects to my journey and healing process through all this was allowing myself to get angry.  We are taught by the act of abandonment that anyone, even those who are meant to love you unconditionally will leave you. So be malleable, be small, please the egos of those who chose you. Don’t be mad when they take your name from you to fit their idea of their own family. I was adopted into privilege – a middle-class family who loves me. So to be told and shown by the wider TRA community that I’m allowed to be mad about my traumas, even though well-intentioned, was truly a gift.”

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Read More: An Exclusive interview with Rising Music Star, I Used To Be Sam

Though ‘Mountains’ is rooted in the anger associated with these memories, it also centers hope in its spare and affecting melodies. When I Used To Be Sam disassociates now, “I imagine mountains, they’re free and strong and open” and also represent the sense of grounding and foundation they feel they lack as an adopted person.

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After attempts to reconnect with her birth mother were met by re-rejection, I Used To Be Sam recounted this experience to a producer on a writing trip in Berlin. And from that moment, I Used To Be Sam was born. Including other transracial adoptees in this project became increasingly important to I Used To Be Sam the more they educated themself on the adoption narrative. Across films, TV, social media, or conversations at home, adoption is almost solely told through the lens of the adoptive parent. This skews and manipulates a very multi-layered experience for almost all adoptees / TRA’s. She says, “Our voices, our stories, our trauma, and our successes are ours to tell. So I knew early on that even though my platform wasn’t big, it was big enough to share with other TRA’s.”

Eager to learn and share experiences from other TRA’s, I Used To Be Sam reached out to adoptee communities through social media, and those who she spoke to are the voices heard throughout the project – “Adoptees have really created a lush community for each other.  And stumbling upon it was shocking but so rewarding.  For anyone interested in hearing more about adoption from adoptees I highly recommend respectfully visiting our spaces. I have learned so much from this group of generous people.”

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Not only is ‘Mountains’ the bravest, freest, and most confronting music of Annie’s prolific career, it’s also a vessel and safe space to bring people with shared experiences together, and open up the narrative around transracial adoption. Since the birth of the project, I Used To Be Sam has struck up conversations with countless other transracial adoptees (TRAs), and sharing overlapping experiences informed the incredibly personal nature of I Used To Be Sam’s debut EP.

I USED TO BE SAM ONLINE

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Artist Spotlight

The Skinny Limbs Unveil Galactic Soundscape with ‘Mozart for Martians’ EP Premiere

The Skinny Limbs

The Skinny Limbs have unveiled their latest EP, “Mozart for Martians,” which consists of five stellar tracks that revolve around the complex universe of emotions accompanying a long-term relationship’s end. This EP’s celestial soundtrack for heartbreak, rejuvenation, and reflection seamlessly blends indie-pop with lo-fi vibes and Japanese pop influences, transcending musical genres.

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This eclectic mix creates a vibrant tapestry of sound, drawing listeners into a realm that is both familiar and otherworldly. The raw vulnerability in each track reflects band member Max Knoth’s personal journey through love, loss, and life’s unpredictable twists.

Lead single “Too Little Too Late” is a gut-punching anthem that blends poignant lyrics with a sonic fusion of Japanese pop and indie elements, capturing the EP’s emotional core. Meanwhile, “To The Limit” offers a celestial blend of melodies and evocative lyrics, portraying the feelings of confusion and frustration that accompany life’s hurdles.

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The EP’s sonic journey is completed by the unreleased gems, “Monday,” a jammy reflection of Max Knoth’s tumultuous breakup week, “I Know You Care,” an older track reborn, and “For So Long!,” a groovy exploration of confusion, patience, and the search for clarity.

Produced by Connor Robertson, Jake Rye, and The Skinny Limbs, and mastered by Mike Cervantes (known for his work with Dolly Parton and MisterWives), this EP is a masterful blend of heartfelt storytelling and musical innovation. The production quality is top-notch, and the EP’s 18-minute runtime provides a concise yet powerful journey that will leave listeners craving more.

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Artist Spotlight

ISSARA unveils a soulful sonic masterpiece with her debut album, “222”

ISSARA

ISSARA is an enchanting singer-songwriter with a multicultural heritage encompassing Thailand, France, and the USA. Born in Bangkok, Thailand, and raised in Seattle, Washington, by her Thai father and French mother, Issara delivers her latest debut album, “222,” embodied within this 11-track masterpiece, is a fusion of soul, pop, and rock that captivates global audiences, echoing her diverse sonic experiences and eclectic musical style.

222” offers an auditory 11-track album manifesto that transcends genres and defies expectations, inviting listeners into a world of shimmering melodies and hazy whispers. ISSARA, named after the Thai word for “freedom,” is a testimony to her emancipating musical odyssey and pledge to authenticity.

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Drawing from personal experiences and paying tribute to influential women in her life, each song resonates with raw emotion and unwavering honesty. The album’s “222” holds special significance, symbolizing Issara’s artistic evolution and the universal quest for freedom. With each soul-stirring note at a time, Issara invites listeners to join her on her exhilarating musical exploration of love, resilience, and the unbreakable bonds of womanhood.

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Recorded and produced by the acclaimed Jack Bowman, “222” exudes a vintage charm reminiscent of the 70s era, embracing imperfections to convey the genuine sincerity of Issara’s vision. The album starts with a captivating rhythm in the first track, “Ride,” and progresses to an empowering anthem in the second track, “Rise Up.” The third track, “Phoenix,” is hauntingly beautiful, while the fourth track, “I See You,” showcases the artist’s signature style. These album’s tracks provide a glimpse into Issara’s soul, inviting listeners to explore a more profound journey of self-discovery and female camaraderie.

Issara showcases the resilience and unwavering determination with the support of her family and producer, maintaining a balance between the complexities of motherhood and fueled by her passion for artistic aspirations. As a bonus track, the album’s grand finale concludes with the enchanting “Missed You,” a captivating ode to love and longing that leaves listeners yearning for more.

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Issara’s debut album, “222,” is a valuable addition to numerous playlists, a must-listen for enthusiasts craving introspective charm and authentic storytelling innovation. Prepare to embark on a transformative sonic voyage through the depths of the human experience as “222” takes the world by storm, setting the stage for a new era in soulful pop music.

For more information about ISSARA, please visit [website].
CLICK HERE TO STREAM ISSARA’s 222 on Spotify.
CONNECT WITH ISSARA | Instagram | TikTok | Facebook |

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