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Ice Cube Dodged Zoom Call With Kamala Harris Because It Wasn’t Personal

He wants to help implement policies for the Black community, but Ice Cube doesn’t want to waste his time. The rapper has caused a stir in recent weeks over his “Contract With Black America” and how it’s been twisted into becoming a tool used by the Republican Party. Cube made it clear that he will speak to anyone in the political sphere about his plan, but after right-wing conservatives attempted to use his name to help promote Trump’s campaign, the rapper shut down the noise quickly. There have been some disagreements regarding whether or not Joe Biden’s camp delayed meeting with Cube, but he did admit to Cocktails with Queens that he rejected a Zoom call with Kamala Harris because it wasn’t one-on-one.

During his recent appearance on the virtual show, Cube stated that the Biden campaign “did reach out” but “they said we’ll hook up after the election.” Claudia Jordan told him, “To be fair, they’re not the party in power right now.” She also heard that Ice Cube had been contacted to participate in the Zoom call with Harris, a call that also included D.L. Hughley, Snoop Dogg, and Killer Mike.

“We had spent a lot of people time putting the ‘Contract With Black America’ together and I just thought that getting on a Zoom call with 12 other entertainers all shooting what they believe needs to be done, to me wasn’t gon’ be productive,” said Cube. “And I was also, ’cause my lawyer Matt Johnson has a connection with Kamala Harris, and I was promised a call that I never received. So, you know, that’s why I didn’t feel like I wanted to be on that Zoom call. I feel like our plan is so broad that you can’t talk about it with 12 other people who had nothing to do with it. These are a lot of things that needed to get done so I wanted to have a serious conversation and not just a rally cry kind of conversation.”

Cube was criticized for previously saying that he was open to receiving help from others, but now stating he didn’t want to participate in the Zoom call. “I want to get things done. I don’t want to just spin my wheels [and] talk to people who can’t really make it happen.” Watch Ice Cube get grilled on Cocktails with Queens below and make sure to read through our story on everything you need to know about the “Contract With Black America.”

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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