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Indie Folk Rockers Little Wretches Offer Message Of Hope For At-Risk Teens With Latest Music Video “Running”

The song features a vocal spotlight on Rosa Colucci. “Running (Was the Only Thing to Do)” appears on the band’s 2020 album “Undesirables and Anarchists.”

This song represents how every teenager feels when their world is falling apart and they don’t feel safe in their own home.”— Rosa Colucci, Little Wretches

“All I really needed was some breathing room
But my hiding place slowly became my tomb
Had me down so long I started to assume
That I would never see the light of day.’

‘Seemed like running was the only thing to do
The only thing to do
So I ran…”
– Robert Andrew Wagner, Little Wretches “Running (Was the Only Thing to Do)”

With the 2020 release of their album, “Undesirables And Anarchists,” indie folk rock pioneers Little Wretches hit the ground “running.” The album received national college radio airplay on over 115 AM/FM stations in North America. Propelled by international iTunes chart hits like “Ballad of Johnny Blowtorch” and “All Of My Friends,” Robert Andrew Wagner and company have amassed more than 130K Spotify streams. Their Youtube videos are quickly approaching 70K views. Now, the Pittsburgh-based band has released their most poignant video yet.

The music video for “Running (Was The Only Thing To Do)” was released on February 15th, 2022. Taken from “Undesirables And Anarchists,” the Wagner-written song was inspired by Cecil B. DeMille’s movie, “The Ten Commandments” and bandmember/spotlight vocalist, Rosa Colucci’s life story.

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Wagner tells the story behind the song: “Prior to joining The Little Wretches, Rosa Colucci had never sung in a band. She’d been the only white soloist in a predominantly African-American Gospel choir, and she’d sung some karaoke, but that was the extent of it. Shortly after Rosa joined the band, Scott Mervis of The Pittsburgh Post-Gazette wrote, ‘Rosa Colucci is the best thing that ever happened to The Little Wretches.’ Given Rosa’s vocal power, audiences came to expect her to have a ‘spotlight’ number in band’s live shows, so she asked me to write something for her.”

“Rosa is an April baby, the season of Easter and Passover, and I wanted to have a song ready for her birthday. Watching Cecil B. DeMille’s THE TEN COMMANDMENTS on television while strumming my guitar, I paused to marvel at the big scene when Charlton Heston as Moses raises his staff and God parts The Red Sea. Bondage and hopelessness behind them and the impossible before them, what would the average Israelite do? What else could they do? RUN! Believers and non-believers alike. Oh, well… Here goes nothing. Or everything. I recalled Rosa having told me that she’d been on her own since the age of fifteen. The details are for Rosa to tell, but I saw the parallels. EXODUS. Let My People Go! In her own way, Rosa had fled a kind of bondage and leapt into an uncertain future with only faith to guide her.”

Rosa says, “This song represents how every teenager feels when their world is falling apart and they don’t feel safe in their own home.”

Watch the video for “Running (Was The Only Thing To Do)” at https://youtu.be/qsF_MtrVsyQ

The Little Wretches hope that the visual imagery, the lyrics, the band’s performance and Rosa’s vocal work together to provide hope and resilience for any at-risk teenager who stumbles across this video. In addition to writing and performing music, Robert holds a master’s degree in teaching and works with at-risk, court-adjudicated and special-needs teens.

https://littlewretches.com
https://www.facebook.com/thelittlewretches

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Words and Music by Robert Andrew Wagner
Lead Vocals–Rosa Colucci
Drums–Mike Madden
Bass–John Carson
Piano–H.K. Hilner
Guitars–Robert Andrew Wagner

Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses is warmer, whereas Aptøsrs’ “Questionnaires is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

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The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

Connect with Aptøsrs on Website | X | Instagram | Facebook | Spotify |

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Artist Spotlight

LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”

LAST ALEX!

LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.

LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.

LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.

Connect with LAST ALEX! on Spotify

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