Music
Indie Folk Rockers Little Wretches Offer Message Of Hope For At-Risk Teens With Latest Music Video “Running”
The song features a vocal spotlight on Rosa Colucci. “Running (Was the Only Thing to Do)” appears on the band’s 2020 album “Undesirables and Anarchists.”

“This song represents how every teenager feels when their world is falling apart and they don’t feel safe in their own home.”— Rosa Colucci, Little Wretches
“All I really needed was some breathing room
But my hiding place slowly became my tomb
Had me down so long I started to assume
That I would never see the light of day.’
‘Seemed like running was the only thing to do
The only thing to do
So I ran…”
– Robert Andrew Wagner, Little Wretches “Running (Was the Only Thing to Do)”
With the 2020 release of their album, “Undesirables And Anarchists,” indie folk rock pioneers Little Wretches hit the ground “running.” The album received national college radio airplay on over 115 AM/FM stations in North America. Propelled by international iTunes chart hits like “Ballad of Johnny Blowtorch” and “All Of My Friends,” Robert Andrew Wagner and company have amassed more than 130K Spotify streams. Their Youtube videos are quickly approaching 70K views. Now, the Pittsburgh-based band has released their most poignant video yet.
The music video for “Running (Was The Only Thing To Do)” was released on February 15th, 2022. Taken from “Undesirables And Anarchists,” the Wagner-written song was inspired by Cecil B. DeMille’s movie, “The Ten Commandments” and bandmember/spotlight vocalist, Rosa Colucci’s life story.
Wagner tells the story behind the song: “Prior to joining The Little Wretches, Rosa Colucci had never sung in a band. She’d been the only white soloist in a predominantly African-American Gospel choir, and she’d sung some karaoke, but that was the extent of it. Shortly after Rosa joined the band, Scott Mervis of The Pittsburgh Post-Gazette wrote, ‘Rosa Colucci is the best thing that ever happened to The Little Wretches.’ Given Rosa’s vocal power, audiences came to expect her to have a ‘spotlight’ number in band’s live shows, so she asked me to write something for her.”

“Rosa is an April baby, the season of Easter and Passover, and I wanted to have a song ready for her birthday. Watching Cecil B. DeMille’s THE TEN COMMANDMENTS on television while strumming my guitar, I paused to marvel at the big scene when Charlton Heston as Moses raises his staff and God parts The Red Sea. Bondage and hopelessness behind them and the impossible before them, what would the average Israelite do? What else could they do? RUN! Believers and non-believers alike. Oh, well… Here goes nothing. Or everything. I recalled Rosa having told me that she’d been on her own since the age of fifteen. The details are for Rosa to tell, but I saw the parallels. EXODUS. Let My People Go! In her own way, Rosa had fled a kind of bondage and leapt into an uncertain future with only faith to guide her.”
Rosa says, “This song represents how every teenager feels when their world is falling apart and they don’t feel safe in their own home.”
Watch the video for “Running (Was The Only Thing To Do)” at https://youtu.be/qsF_MtrVsyQ
The Little Wretches hope that the visual imagery, the lyrics, the band’s performance and Rosa’s vocal work together to provide hope and resilience for any at-risk teenager who stumbles across this video. In addition to writing and performing music, Robert holds a master’s degree in teaching and works with at-risk, court-adjudicated and special-needs teens.
https://littlewretches.com
https://www.facebook.com/thelittlewretches
Words and Music by Robert Andrew Wagner
Lead Vocals–Rosa Colucci
Drums–Mike Madden
Bass–John Carson
Piano–H.K. Hilner
Guitars–Robert Andrew Wagner
Artist Spotlight
Karate Boogaloo find sunshine through the storm on “Wet Day Timetable”
Karate Boogaloo return with “Wet Day Timetable,” an instrumental piece that proves even the most ordinary disappointments can become something memorable. Inspired by the familiar feeling of having plans washed away by the rain, the track transforms that mood into an uplifting musical experience filled with warmth and character. Rather than dwelling on frustration, the band embraces the slower pace of a wet day, allowing every note to unfold with patience and purpose.
The result is music that feels comforting, reflective, and quietly joyful, capturing the emotional shift from disappointment to acceptance with remarkable grace. It is a reminder that some of the strongest musical statements are made through restraint rather than excess. As a snapshot of the forthcoming record Access All Areas, “Wet Day Timetable” highlights the qualities that make Karate Boogaloo such compelling musicians.
Memorable melodies, understated arrangements, and effortless chemistry combine to create an instrumental that lingers well after it ends. The band’s ability to turn a simple everyday experience into an emotionally satisfying journey speaks volumes about their artistic maturity. Without relying on elaborate production or dramatic flourishes, they deliver a track that feels genuine, timeless, and deeply rewarding. “Wet Day Timetable” stands as a graceful celebration of thoughtful composition, proving that even a rainy day can provide the perfect soundtrack for optimism.
Connect with Karate Boogaloo on Spotify || Instagram || Facebook
Artist Spotlight
Jeff Vidov elevates orchestral rock ambition on latest release “Signs of Life”
Jeff Vidov returns with “Signs of Life,” a powerful new single that reflects the depth of his compositional experience while embracing the expansive energy of a summer rock anthem. Marking his sixteenth musical release, the Canadian-born pianist and composer blends the grandeur of a full orchestra with the driving spirit of rock, creating a piece that feels equally at home in the concert hall and on the silver screen. The result is an immersive listening experience that highlights both musical precision and emotional scale.
As a choir conductor, session pianist, film composer, and musical theatre director, his background naturally shines through in “Signs of Life.” Having scored fifteen films and two television shows while performing with numerous jazz big bands, orchestras, touring rock bands, and tribute acts, he brings an unmistakable sense of cinematic storytelling to the track. Every orchestral passage feels intentional, while the rock foundation gives the composition an energetic pulse that keeps the arrangement engaging from beginning to end.
Jeff Vidov demonstrates that experience and versatility can exist alongside fresh creative ambition. “Signs of Life” is more than another release in an already impressive catalog, it is a celebration of musicianship built through years of dedication across film, theatre, orchestral performance, and contemporary music. The seamless balance between sweeping orchestral textures and rock influences gives the single a distinctive identity that stands apart while remaining widely accessible.
Connect with Jeff Vidov on Spotify || Instagram || Facebook || Youtube
-
Artist Spotlight3 days agoFuzzy Bear Music challenges the modern reality on latest release “Red Pill”
-
Hip-Hop7 days agonlink offers a drill-inspired momentum on latest release “Sunset Luv”
-
R&B7 days agoKeesha Blair uncovers the path to healing with latest release “Peaceful Power”
-
Hip-Hop7 days agoSong and Salt expands peaceful horizons with latest release “Panoramic Vision”
-
Music7 days agoSeun Kuti & Egypt 80 deliver a fearless call for change in latest release “Problems”
-
Mainstage7 days agoCorey Hunter delivers a track that values sincerity on latest release “Tides”
-
Artist Spotlight3 days agoMomoBaby drops lyrical accuracy on latest release “Thanos”
-
Artist Spotlight3 days agoD.O.S.E sound explores emotion with latest release “Feelings”

