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Indie Folk Rockers Little Wretches Offer Message Of Hope For At-Risk Teens With Latest Music Video “Running”

The song features a vocal spotlight on Rosa Colucci. “Running (Was the Only Thing to Do)” appears on the band’s 2020 album “Undesirables and Anarchists.”

“This song represents how every teenager feels when their world is falling apart and they don’t feel safe in their own home.”— Rosa Colucci, Little Wretches

“All I really needed was some breathing room
But my hiding place slowly became my tomb
Had me down so long I started to assume
That I would never see the light of day.’

‘Seemed like running was the only thing to do
The only thing to do
So I ran…”
– Robert Andrew Wagner, Little Wretches “Running (Was the Only Thing to Do)”

With the 2020 release of their album, “Undesirables And Anarchists,” indie folk rock pioneers Little Wretches hit the ground “running.” The album received national college radio airplay on over 115 AM/FM stations in North America. Propelled by international iTunes chart hits like “Ballad of Johnny Blowtorch” and “All Of My Friends,” Robert Andrew Wagner and company have amassed more than 130K Spotify streams. Their Youtube videos are quickly approaching 70K views. Now, the Pittsburgh-based band has released their most poignant video yet.

The music video for “Running (Was The Only Thing To Do)” was released on February 15th, 2022. Taken from “Undesirables And Anarchists,” the Wagner-written song was inspired by Cecil B. DeMille’s movie, “The Ten Commandments” and bandmember/spotlight vocalist, Rosa Colucci’s life story.

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Wagner tells the story behind the song: “Prior to joining The Little Wretches, Rosa Colucci had never sung in a band. She’d been the only white soloist in a predominantly African-American Gospel choir, and she’d sung some karaoke, but that was the extent of it. Shortly after Rosa joined the band, Scott Mervis of The Pittsburgh Post-Gazette wrote, ‘Rosa Colucci is the best thing that ever happened to The Little Wretches.’ Given Rosa’s vocal power, audiences came to expect her to have a ‘spotlight’ number in band’s live shows, so she asked me to write something for her.”

“Rosa is an April baby, the season of Easter and Passover, and I wanted to have a song ready for her birthday. Watching Cecil B. DeMille’s THE TEN COMMANDMENTS on television while strumming my guitar, I paused to marvel at the big scene when Charlton Heston as Moses raises his staff and God parts The Red Sea. Bondage and hopelessness behind them and the impossible before them, what would the average Israelite do? What else could they do? RUN! Believers and non-believers alike. Oh, well… Here goes nothing. Or everything. I recalled Rosa having told me that she’d been on her own since the age of fifteen. The details are for Rosa to tell, but I saw the parallels. EXODUS. Let My People Go! In her own way, Rosa had fled a kind of bondage and leapt into an uncertain future with only faith to guide her.”

Rosa says, “This song represents how every teenager feels when their world is falling apart and they don’t feel safe in their own home.”

Watch the video for “Running (Was The Only Thing To Do)” at https://youtu.be/qsF_MtrVsyQ

The Little Wretches hope that the visual imagery, the lyrics, the band’s performance and Rosa’s vocal work together to provide hope and resilience for any at-risk teenager who stumbles across this video. In addition to writing and performing music, Robert holds a master’s degree in teaching and works with at-risk, court-adjudicated and special-needs teens.

https://littlewretches.com
https://www.facebook.com/thelittlewretches

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Words and Music by Robert Andrew Wagner
Lead Vocals–Rosa Colucci
Drums–Mike Madden
Bass–John Carson
Piano–H.K. Hilner
Guitars–Robert Andrew Wagner

Album Review

Brynja Rán finds clarity in complicated relationships on “Unblurred” [album]

Brynja Rán

It can be hard to see when a relationship no longer meets your emotional needs, especially when affection, uncertainty, and repeated disappointment are hard to untangle. “Unblurred,” an album built on the bedrock of emotional unavailability, recurring conflict, and the slow dawning that a relationship might need to end, is where Brynja Rán unpacks that difficult process.

The ten songs follow the arc of attachment and frustration, weaving together the story of someone trying to figure out what they deserve. The focus track, “Unblurred Lines,” hits on the album’s central concept. This is when the veils begin to fall, and the person is more ready to see the partner’s behavior for what it is. The song is musically rich, with an acoustic and electric guitar soundscape, synthesizers, bass guitar, drums, and additional instrumentation.

The surrounding songs view the same emotional landscape from different angles. “Cowboy Wannabe” explores a partner masking insecurity with a detached personality, and “Deja Vu” captures the frustration of arguments that go round and round without changing anything. “Adore” is about ignoring red flags when you’re that into something, and “Cherry” is about the temporary comfort of being in a relationship that just isn’t right.

The album opens up by looking at borders and the need for real connection. “Make Me Feel” is about wanting to be loved, and “Until” is about how long you should stay in the twilight zone. “Still Stuck Waiting” captures the frustration of waiting for communication and commitment. “Don’t You Leave” begins with fear of abandonment and moves toward healing, while “What Else” ends the record with emotional exhaustion and a desire to move on.

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Rather than treating every experience as a one-off event, the tracklist of “Unblurred” attempts to create a single image of relationship troubles. With this release, Brynja Rán explores unhealthy patterns, boundaries, and getting the clarity to choose a different path.

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Album Review

Legends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]

Legends of the Seven Golden Vampires

Albums often have a strong sense of identity, with songs linking to a broader emotional and musical direction. The nine-song album “The Pumphouse of Broken Dreams” by Legends of the Seven Golden Vampires, featuring Dutch vocalist Ilse Van Der Linden front and center, is more cohesive.

The band’s melodic psychedelic pop offers a welcome counterpoint to a project that explores recovery, longing, uncertainty, and personal growth. The tracklist is an emotional journey. “To Think, To Heal” starts with the idea of mental healing and moving on from the past. “Flying” is more of an escapist wish to escape the pressures of day-to-day life. “Come Home” is about finding comfort and belonging.

“Here I Am” is about self-awareness and openness. Together, these early songs form an album about finding stability and processing difficult experiences. The middle ground is more emotionally layered. “Hopelessly Devoted To You” is about being attached all the time, and “Lost & Burned” is about being worn out and the results of hard experiences. Then there is “In My Dreams,” which turns into memory and unfulfilled wishes. Later, “AIR” brings the need for freedom, air, space, and a new start.

It ends with “BLEND,” a combination of psychedelic, shoegaze, and electronic influences. The release also includes another visual element from Gareth Halliday, who also worked on Noel Gallagher’s High Flying Birds Who Built The Moon. “The Pumphouse of Broken Dreams” has softer vocals and a range of emotions. This album is deliberately constructed, moving from reflection to acceptance without losing the variety of experiences it tackles.

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