Artist Spotlight
Janiq blooms boldly on ‘Flowers and Fantasies’

Janiq releases her new single, “Flowers and Fantasies,” a lush Pop-R&B cut that intertwines her UK-Caribbean heritage with such magical precision. It breaks the glucose level for once but is devastating. From the second the track starts, a magnetic pull of attraction draws you in that initial brushing of tips of fingers, that hushed secret in the dark.
Built on open synths, slinky melodies, and a rhythm that’s as sultry as it is smooth, “Flowers and Fantasies” is a track built for moonlit moments and slow-burning tension, exuding a confidence that’s intimate but never overwhelming. In 70 minutes, Janiq has you doubting and fearing everything. She understands the power of suggestion, and here, she exercises that power with the deftness of a maestro.
She navigates the precarious terrain between yearning and giving in, capturing the particular kind of magic of being completely in your desires. This is about permission, letting go, and drawing on the fearless and freeing type of emotional vulnerability. The fantasy is the embrace of all that is real, raw, and blooming below and above the surface. But what makes Janiq different is how she turns her dual identity into sound. There are hints of Caribbean warmth in her vocal cadence, an unmistakable UK polish in the production, but never at any point does it feel forced. She’s carving her own space in the genre, and it sounds fucking good.
With “Flowers and Fantasies,” Janiq provides a lush, tender, and intoxicating experience. It’s the kind of music that remains after the song has ended, like the lingering smell of perfume on a pillow or the fading echo of a late-night confession.
As Pop and R&B twist and turn deeper into their next eras, Janiq demonstrates that there is still plenty of space for softness and sensuality, with strength blossoming just below the surface. It may be her most recent release, but if this is the sound of what’s to come, we’re more than eager for the bouquet.
Artist Spotlight
Who’s Making the Most Money on Spotify in 2025?

In 2025, Spotify conquers the music streaming world, with 500+ million monthly paying subscribers globally. Considering the platform paid out $10 billion in royalties, a record high, during 2024, it’s evident that streaming is now a revenue stream for artists. Yet only a few musicians are making good money from it.
At the top of the list is Drake, whose 21.5 billion streams yield around $52.5 million. Next up is J Balvin, with $37.9 million this year, a clean-up job from his massive streaming numbers. Other artists who earned significant amounts included Post Malone, Ariana Grande, and Bad Bunny, each featured among the platform’s top earners.
In electronic music, the Chainsmokers had 7.2 billion streams and made $17.7 million, and Calvin Harris made $14 million. The first-place finisher among the grossers is Ed Sheeran’s “Shape of You,” which earned $6.6 million from 2.7 billion streams.
Although these numbers are impressive, most artists on Spotify receive a much lower payday. In its 2024 Loud & Clear report, Spotify found that only 4.4% of artists make at least $131,000 annually. On average, an artist in the bottom 98.6% of earners makes just $12 monthly. This difference underscores the difficulties many musicians face in the streaming age.
Dead artists are still having a real impact on Spotify. Pop Smoke, Shoot for the Stars, and Aim for the Moon have 8.51 billion streams, £29.29m, 6.79 billion streams, and £23.37 million in earnings with Juice WRLD’s “Legends Never Die.” Lil Peep and The Notorious B.I.G. are also proving influential, with their music still raking in significant amounts of money.
Spotify’s global platform has allowed artists to perform in front of audiences beyond their home countries. In 2024, most artists who earned at least $1,000 in royalties made most of their revenue through international listeners, at over 50%. Since 2017, the number of female artists grossing over $1 million per year has quadrupled, signaling greater diversity and representation in the music industry.
The few artists who do make millions from Spotify streams get 1 %, while the 1% of artists get funds. Only a handful of artists are financially rewarded through it, even as the platform’s continued global reach and growing diversity create opportunities for emergent practitioners.
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Artist Spotlight
Kayla Marque lights a fire with “Slow Burn”

Kayla Marque has returned with a new single, “Slow Burn,” a simmering, soul-passionate affair that holds you well past when the last notes die out. True to her endlessly evolving artistry, Marque serves up something future-facing and thoughtful, stitching together a grunge-adjacent bassline with ethereal melodies and haunting vocal dynamics.
Right from the outset, “Slow Burn” sucks you into its smoky milieu. The measured bassline sounds plucked from the ‘90s alt-rock golden age and dunked in modern, velvety skin. But Marque’s voice brings center stage, fluent, forceful, and emotionally detailed. She doesn’t only sing; she tells stories, whispers, and wails, and her approach lends the music an astonishing contrast between restraint and release.
As the song progresses, there’s something undeniably mesmerizing about how the instrumentation interacts with the vocals. The melodies shimmer like heat off the pavement, entrapping listeners in a hypnotic haze that feels at once intimate and cinematic. Marque displays not only her vocal range but also her emotional depth. Every note feels deliberate, and every word feels lived-in.
What’s so exciting about “Slow Burn” is how it feels like another chapter in a broader story. Kayla Marque has consistently refused to settle into a single groove, and this track demonstrates that she’s continuing to push limits and defy expectations. There’s a rawness here, an audacity that doesn’t plead for attention but commands it regardless. It’s a song that reveals more textures and emotions after every listen. “Slow Burn” is a vibe, a feeling, a statement. It’s another step in Kayla Marque’s evolution as an artist, and if this is what’s to come, we’re in for something special.
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