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Jeremih Seems To Be Recovering From Coronavirus, According To 50 Cent

Getty Image The Queens rap mogul provided an update on the Chicago singer’s condition via Twitter. …

Over the weekend, a plethora of worried stars begged fans to pray for R&B singer Jeremih, who had apparently been hospitalized with symptoms of COVID-19. Big Sean, Chance The Rapper, Hitmaka, and more took to social media to implore their followers to direct their thoughts to the Late Nights singer, who 50 Cent revealed was in the ICU. 50 also admonished fans to take COVID seriously. On Sunday, 50 gave fans a little good news, however; in a tweet, he said Jeremih is “responsive today, doing a little better.”

Jeremih is far from the first hip-hop star to require treatment for the deadly coronavirus. Kim Kardashian confirmed in October her husband Kanye West had a “scary” case of COVID-19 in March, while Houston rap legend Scarface, Griselda Records founder Westside Gunn, and incarcerated South Florida rapper YNW Melly all recovered from the virus. Unfortunately, New York underground rap mainstay Fred The Godson died at 35 after being diagnosed with COVID-19.

Precautions taken against the virus’ spread forced the closure of most live entertainment venues across the country and wiped out plans for dozens of festivals and tours, costing many musicians and technicians their livelihoods over the past year. While some festivals plan to attempt returns in 2021, the outlook isn’t good, with thousands of new cases per day and no plan in sight from the irresponsible leadership of the recently deposed Donald Trump, who reportedly infected over 130 of the Secret Service agents tasked with his protection.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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