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Megan Thee Stallion Claims Tory Lanez Tried To Pay Her To Keep Quiet After He Shot Her

Getty Image ‘I can’t believe you even think I want to take some money. Like, you just shot me.’ …

It has been an up-and-down year for Megan Thee Stallion. “WAP” is the biggest hit of her career, but Tory Lanez allegedly shot her. She has spoken out against him on multiple occasions in recent months, and now she has done so again in a new GQ profile.

In the story, Meg said that Lanez tried to pay her to keep quiet about the shooting:

“Like, I never put my hands on nobody. I barely even said anything to the man who shot me when I was walking away. We were literally like five minutes away from the house. […] [At this point] I’m really scared, because this is like right in the middle of all the protesting. Police are just killing everybody for no reason, and I’m thinking, ‘I can’t believe you even think I want to take some money. Like, you just shot me.’”

The piece then notes, “A lawyer for Lanez denied that the rapper offered Megan and her friend money.”

Last month, Lanez proclaimed his innocence on social media, and Meg offered a direct response, tweeting, “This n**** genuinely crazy.” Meg also previously claimed that Lanez tried to apologize to her over text after the shooting.

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Read the full GQ feature here.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Artist Spotlight

The trapheaux gracefully glides over in new release “Marble Floors”

Trapheauxly

Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.

The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.

When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.

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NIHLNØTHING unleashes increased tides on new release “ocean” Power

NIHLNØTHING

NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.

A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.

Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.

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