Story
Jim Jones Reacts To Mariah Carey’s Fond Dipset Memory
As a key member of the legendary Diplomats, Jim Jones has been at the center of many classic stories throughout his long-running career. As it happens, one such story was shared by none other than Mariah Carey, who took a moment to fondly reflect on a Dipset memory in her recent autobiography The Meaning Of Mariah Carey.
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Though the full page is out of frame, it appears that Mariah’s anecdote centers around a night out with Jim Jones, Cam’ron, and Juelz Santana; while it’s unclear what matter of mischief they got up to, it seems as if “clubbing” and “cocktails” were involved to some degree. It should be noted that Carey previously collaborated with Jones, Juelz, and Cam on the street remix to “Boy (I Need You),” produced by longtime Roc producer Just Blaze — it might explain how the artists ended up crossing paths in the first place.
“When u get mentions in @mariahcarey new book wow @mr_camron we always talk bout them nights especially when we was stuck in aspen Christmas Eve and snuck in th airport to get home on time for Christmas,” captions Jones, alongside a screenshot from Mariah’s autobiography. “Young n havin fun #DIPSET wait till th movie.” Clearly, Jones appreciates Carey’s fond inclusion of the Dipset benders, as they appear to have left a lasting impression on him as well. Check it out for yourself below.
Artist Spotlight
Billy Chuck Da Goat finds his flow on new release “Vibez”
Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.
“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.
The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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