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McDonald’s Deny Using Travis Scott Collab To Cover Up Discrimination Lawsuits

Despite a global pandemic, Travis Scott has emerged victorious in 2020. He became the first celebrity since Michael Jordan to nab his own McDonald’s meal which, as described in an internal memo to the company in June, was a play to “better connect with African-American youth as we go forward.”


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According to Vice Media, the launch of the Travis Scott meal, as well as the recent collab with J Balvin, was a possible effort to cover up massive discrimination lawsuits against McDonald’s. Given Travis Scott is a Black celebrity that has hip-hop, a Black art form, on lock, McDonald’s decision to partner with him could be a way at “obfuscating other McDonald’s-related news items” given its success, according to Chin Jou, author of Supersizing Urban America: How Inner Cities Got Fast Food With Government Help.

The first lawsuit was filed at the top of the year accusing the company of having “conducted a ruthless purge” of Black leadership and created “hostile and abusive work environment” for Black executives and owners. In the last year, there was been a drop in Black employees in upper-level positions, according to the suit, dropping from 42 in November to 7 by the time 2019 rolled around. Vicki Guster-Hines and Domineca Neal, the plaintiffs, said they were demoted from their roles as senior vice presidents of the company in 2018, a decision they said was rooted in race.

A second lawsuit was filed against McDonald’s by a group of 52 Black franchise owners in September, the same month Scott launched his burger, who claim the corporate giant made them deal with “systematic and covert racial discrimination” since the 1980s. This is rooted in allegations that the company had forced these Black franchise owners into opening low-income areas with high crime rates. These locations would have lower sales than the national average and higher overall operational costs. The lawsuit alleged McDonald’s didn’t provide the Black franchise owners the financial support they would white franchise owners. 

Though McDonald’s has previously denied these allegations, they did release a statement to XXL this afternoon, saying, “Any claim that McDonald’s collaboration with Travis Scott was launched in response to recent litigation is completely false. We teamed up with Travis—and our newest celebrity partner, J Balvin—because of their love for the McDonald’s brand, their widespread appeal and their loyal following among our younger customers and our crew.”

The rep added, “In regards to the litigation—these allegations fly in the face of everything we stand for as an organization and as a partner to communities and small business owners around the world. Not only do we categorically deny the allegations, but we are confident that the facts will show how committed we are to the diversity and equal opportunity of the McDonald’s System, including across our franchisees, suppliers and employees.”

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E.G. Phillips unveils where silence speaks the loudest on new release “Empathy for the Night Fly”

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The mood of E.G. PHILLIPS’s “Empathy for the Night Fly” is instantly cinematic, dark, introspective, and frozen in time. The track sounds like a scene from a late-night club where everything slows down just enough for feelings to come out. The arrangement is jazz-like in that it lets each part breathe. The arpeggiating Rhodes piano comes and goes, giving the impression that the music is thinking, as if it’s moving.

The song is really about recognition, which is when you hear something in someone else’s voice that reminds you of your own experience. It’s subtle, almost fragile, but it has a big effect on people. That emotional connection is what holds the piece together.

That choice seems deliberate, even defiant. It asks the listener to pay attention differently, not just passively. Every break is a part of the story. E.G. Phillips doesn’t just make the mood; he keeps it going. In that space, “Empathy for the Night Fly” becomes a quiet, powerful look at memory, connection, and shared feelings.

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Firecamino maintains folk storytelling with new release “Juan The Baptist”

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“Juan the Baptist” is a stunning single by Firecamino, blending vivid storytelling with charming melody. The laid-back indie song with folk and country influences sounds like an ancient story told around a campfire after a long night.

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“Juan the Baptist” handles several musical influences well. Folk-inspired writing and country textures add emotion and familiarity. Meanwhile, the cool indie vibe smooths the edges and lets the track flow naturally without being dramatic.

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