Artist Spotlight

Jim Jones shuts down the idea of a rap battle with 50 Cent, saying, “I Don’t Wanna Do Nothing With That Sucka!”

Jim Jones, a well known rapper from Harlem, has made it clear that he has no interest in engaging in a rap battle with 50 Cent. In an open discussion on The Breakfast Club, a popular radio show, Jones expressed his strong feelings about not wanting to compete lyrically with the famous rapper. During the interview, Jones also talked about different topics, including his complicated friendship with Cam’ron and his views on the competitive nature of rap in New York.

He reflected on the 2021 Verzuz battle between his group, Dipset, and The Lox, admitting that their lack of preparation contributed to a disappointing performance, especially when Cam’ron forgot some of his lyrics, which led to boos from the audience. The conversation took an interesting turn when DJ Envy proposed the idea of a rap battle between Jim Jones and 50 Cent. Without missing a beat, Jones firmly rejected the suggestion. He stated, “I don’t wanna do nothing with that sucka! Leave him out of the conversation. Don’t start.” This statement adds another chapter to the ongoing tension between Jones and 50 Cent.

While 50 hasn’t responded yet, he will likely react sooner or later. Over the years, the two have exchanged insults through interviews, social media, and music. In the competitive world of New York hip-hop, Jones believes he ranks among the best. He confidently claimed that not many other rappers from the city could outshine him when it comes to lyrics. Jim Jones is staying away from any talk of battling 50 Cent, clearly shutting down the idea of giving him any spotlight.

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

Photo Credit: Yulia Shusharina

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