Artist Spotlight

Snoop Dogg dumps Spotify for Tune.FM, calls out streaming giant over earnings

Snoop Dogg has announced that he is leaving Spotify to bring his entire music collection to a new platform called Tune.FM. This platform is part of a new wave of music streaming that aims to give artists more control and allow them to earn more money from their work. Snoop clarified why he made this switch, expressing frustration with how little Spotify pays artists. “I don’t f**k with Spotify anymore. I’m only on Tune.FM,” Snoop told Billboard, highlighting how he received only $45,000 despite his songs being played a whopping billion times on Spotify.

Snoop’s partnership with Tune.FM could change how artists share their music and earn money. His new single, “Spaceship Party,” will be the first song available exclusively on the Tune.FM platform, marking a fresh start for both him and his fans. He also plans to move all of his other songs to this new site, which suggests a significant shift in how artists might approach sharing their music in the future. Tune.FM operates on a new system designed to help artists keep more of the money they make from their music.

Artist Spotlight

E.G. Phillips explores cosmic escape with “Please Don’t Make Me Come Back from the Moon”

E.G. Phillips’ new release, “Please Don’t Make Me Come Back from the Moon,” is a track that drifts effortlessly between genres and atmospheres. “Please Don’t Make Me Come Back from the Moon” is an experience that feels suspended in time and space.

Blending alt-folk with jazz-fusion touches, the track creates a dreamy and unpredictable wave of radio-static textures that ripple beneath the verses, giving the impression of floating through an unfamiliar yet comforting universe. There’s a sense of detachment here, as if reality has been left behind entirely.

Just as listeners settle into its hazy rhythm, the bridge shifts gears into a jazz-rock groove, complete with trumpet lines that subtly nod to a fusion-inspired legacy. This transition feels organic, enhancing the track’s exploratory nature rather than disrupting it. “Please Don’t Make Me Come Back from the Moon” is a beautifully strange offering that invites listeners to step outside themselves and embrace the unknown, even if only for a few minutes.

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Artist Spotlight

Captain Iron and the Windrift Band put on a sci-fi pop show with new release “Ultra Sound”

Captain Iron / Windrift Band opens a vivid portal with “Ultra Sound,” a bold, creative dance-pop song that fully embraces cinematic storytelling. From the outset, the track establishes itself as more than just a catchy club-ready anthem, it’s a narrative-driven experience wrapped in glossy, futuristic production.

“Ultra Sound” is a great track because of its unique idea, a sexy fembot synth lures astronauts into a trap, then uses an ultrasonic tractor beam to steal their ship. It’s fun, a little strange, and very different from what you usually hear in pop music. This lets Captain Iron show off his unique lyrical style. The story feels like it’s moving forward with each beat, like it’s a movie.

It’s easy to see how “Ultra Sound” could grow even further with full-scale production or collaboration, since its foundation already offers plenty of possibilities. Captain Iron / Windrift Band gives us a song that is both fun and smart. “Ultra Sound” doesn’t just want people to dance, it wants to take them to a colorful, imaginative world where stories and sounds come together thrillingly.

Connect with Captain Iron / Windrift Band on Spotify || Twitter || Youtube