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Artist Spotlight

Snoop Dogg dumps Spotify for Tune.FM, calls out streaming giant over earnings

HonkMagazine

Snoop Dogg has announced that he is leaving Spotify to bring his entire music collection to a new platform called Tune.FM. This platform is part of a new wave of music streaming that aims to give artists more control and allow them to earn more money from their work. Snoop clarified why he made this switch, expressing frustration with how little Spotify pays artists. “I don’t f**k with Spotify anymore. I’m only on Tune.FM,” Snoop told Billboard, highlighting how he received only $45,000 despite his songs being played a whopping billion times on Spotify.

Snoop’s partnership with Tune.FM could change how artists share their music and earn money. His new single, “Spaceship Party,” will be the first song available exclusively on the Tune.FM platform, marking a fresh start for both him and his fans. He also plans to move all of his other songs to this new site, which suggests a significant shift in how artists might approach sharing their music in the future. Tune.FM operates on a new system designed to help artists keep more of the money they make from their music.

This approach aligns with Snoop Dogg’s innovative mindset, making it a perfect fit for him. “We are thrilled to welcome Snoop Dogg as the face of Tune.FM,” said Andrew Antar, the founder and CEO of Tune.FM. “Snoop is a true pioneer who always explores new opportunities. He understands the future, and we’re excited to take on this adventure together.” As one of the most influential figures in the music industry, Snoop’s move to Tune.FM could signal a bigger change coming for artists.

Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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