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John Vento And Nied’s Hotel Band Follow 9/11 Tribute With Updated, Remastered Fan Favorite

“We’re Just Fine” has been remastered, featuring newly recorded backing vocals. It follows the band’s #1 international iTunes hit “The Day the Lady Cried.”

The track really showed off the band’s R&B roots, but it never received the traction that was expected. It was always a fan favorite, especially at live shows.”— John Vento

Music veteran, John Vento and his longtime blue-collar rock co-horts in Nied’s Hotel Band have been releasing their impressive catalog of music since 2004, when Vento and Buddy Hall released “Nied’s Hotel Archives” and 2007’s “Nied’s Hotel.” Three more full-lengths would follow, including 2007’s “The Way That You Roll,” 2014’s “One Night Stand,” and the 2020 compilation, “Nied’s Hotel 2.0.” The latter two included the original version of the fan-favorite, “We’re Just Fine.” Now, Vento and company have updated the track with newly recorded backing vocals and a crisp new remaster.

On March 18th, 2022, MTS Records will release Nied’s Hotel Band’s new version of “We’re Just Fine.” The song was written by John Vento and Tim Hadley, with production by Hadley and Klint Macro, and additional production by David Granati. It is the follow-up to the band’s #1 international iTunes chart hit, the 9/11 tribute, “The Day the Lady Cried.”

“The track really showed off the band’s R&B roots, but it never received the traction that was expected,” said Vento. “It was always a fan favorite, especially at live shows. Over the past few months the band decided to dust it off a bit, add some more background vocals and remaster the track for a new 2022 release.”

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A music video created by Pittsburgh original artist Harry Lupinacci and animator/videographer Jim Pitulski is available at https://youtu.be/1O-TCz7lX6A.

NIED’S HOTEL BAND IS:
John Vento – Vocals
Fred Delu – Keyboard
Ed Jonnet – Sax
Tim Hadley – Guitar & Vocals
J Mac – Guitar & Vocals
Eugene Perry – Bass
Greg McIltrot – Drums & Vocals

Website: https://niedshotelband.com/about/

Nied’s Hotel Band

Lyrics – “We’re Just Fine”

You’ve been through some bad stuff lately
But you worked it all out
You’re headin’ for some good times baby
And there aint’ no doubt

Now a brand new day, brings a brand new light
Throw that shit in the sea, leave it all behind
Unlock the love in your heart, just let it shine
Sing it out to the world, you’re just fine

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You’re just fine now baby
Fine now baby

Most people said that we weren’t gonna make it
But we proved em’ all wrong
They hit us hard, and then they tried to break us
But our love was way too strong

It was lookin’ bad in the eye of the storm
Winds of power and might meant to do you harm
Through the love of great friends we stood arm and arm
Sing it out to the world you’re just fine

You’re just fine now baby
Fine now baby

I know there’s nights when you feel so alone girl
We live two separate lives
But remember those nights when we were hand and hand
I’ll always be by your side, baby I’m your man

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I’ll never let ya down, gonna take a stand

Sing out to the world, that we’re just fine

We’re just fine
Were just doing fine now baby
We’re Just doing fine

Artist Spotlight

CircleKSK ignites an anime-metal collision on “UnBreakable Turn” ft. Anya J

UnBreakable Turn

On their exhilarating high-octane track “UnBreakable Turn,” CircleKSK and guest vocalist Anya J aim to combine the technical prowess of Nordic metal with the urgent melodies and dramatic flair of an anime opening sequence. Creating a cinematic and adrenaline-fueled tune with a melodic edge, CircleKSK has risen to prominence as an innovative act.

The deliberate fusion contributes to the single’s captivating nature. J-Pop and anime-song sensibilities contribute emotional hooks and sweeping, catchy lines; precision, dense riffs, and a sense of weight are brought by Nordic metal. Echoing the song’s vivid melodic contours, Anya J’s heroic and personal vocals and demeanor heighten the dramatic impact of the performance. The structure is based on the standard narrative progression: lively, evocative parts leading the way to more somber ones that ground the emotion.

The production relies on contrast so that lighter parts sparkle and heavier parts thud with satisfying force. As if CircleKSK were creating music for the eyes as well as the ears, this piece could serve as the score for a dramatic scene or the music for a violent montage. Not everything is surface-level, though; the emotional core remains. Anthemic and deeply personal, “UnBreakable Turn” combines the vigor of youth with the gravity of experience.

An assuredly inventive single that fearlessly asserts new territory, “UnBreakable Turn” by CircleKSK is sure to please fans of big, dramatic music that isn’t hesitant to mix sweetness and steel, as well as those who enjoy cross-cultural mashups. The single, which has been lauded by curators and tastemakers worldwide, is a strong statement about artists who fearlessly combine cultural genres, showing that passionate J-Pop melodies and intense Scandinavian metal can coexist in one unforgettable track.

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Artist Spotlight

Garth Adam keeps the flame of Journeysong burning with the new single “Three Fires”

Garth Adam

Garth Adam‘s latest single, “Three Fires,” evokes a warm dialogue in a subdued studio that is intimate, contemplative, and subtly victorious. Adam candidly discusses the exhilaration of uncovering self-assurance in both himself and his songwriting, and this revelation serves as the driving force of the track. At its essence, “Three Fires” is a straightforward commemoration: the delight in transforming a modest idea into something extraordinary through patience.

Adam’s vocal style resides comfortably within a folk-influenced pop genre, which he characterizes as a blend of Neil Finn and The Lumineers, interspersed with elements reminiscent of Coldplay and James Blunt. The reference point is beneficial yet not confining; “Three Fires” represents Adam’s unique creation, an accessible, melodic composition that prioritizes artistry over novelty. The single, recorded in joyful sessions in Perth with long-time collaborator and producer Melvin Tree, exudes the warmth of musicians collaborating in a circle, with the vintage Studer analog desk imparting an analog glow to the final recording. Melvin, Dave Kelly, and a select group of skilled music students contribute backing vocals that enhance the track with harmony and impart a subtly communal, authentic quality.

The lyrics of the song emphasize Adam’s preferred motifs: travel, journeys, and the subtle transformations that occur during the voyage. However, it is not overly forceful; the songwriting is elegant, transitioning from observation to insight with effortless fluidity. Adam’s delivery conveys satisfaction; he is a songwriter who has witnessed minor concepts evolve into completed songs and has learned to trust that process.

“Three Fires” serves as a testament to the notion that skill and perseverance can transform a mere spark into something luminous. For aficionados of melodic songwriting with an analog essence, Garth Adam’s latest work is a comforting, exquisitely crafted ember to accompany one on their journey. It is a song that encourages repeated, soothing auditory experiences.

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