Music
Folk Rockers Little Wretches Release Spiritually-Fueled Full Length “Red Beets & Horseradish”
The international iTunes chart-topping band led by Robert Andrew Wagner issues their first album of new material since 2020’s “Undesirables And Anarchists.”

“The heart of the songs lies not in the suffering of the characters but in the indomitable faith and humor that sustains them”— Robert A. Wagner, Little Wretches
With the release of 2020’s “Undesirables And Anarchists,” PA-based indie folk troupe Little Wretches re-emerged as one of the area’s premiere exports. The album was heard on over 115 AM/FM stations in the country, and it included the #1 international iTunes hit, “The Ballad of Johnny Blowtorch.” In 2021, a live acoustic album, “Live at the Mattress Factory: Songs from the Land of Pit Bulls & Poker Machines” was released, yielding another #1, “All Of My Friends.” Now, 150K Spotify streams and 61K Youtube views later, the band, led by Frontman and Songwriter, Robert Andrew Wagner, is releasing their first album of new material in 2 years.
According to Robert Wagner, “RED BEETS AND HORSERADISH’ (out on March 18th, 2022) is inspired by a relish or side-dish usually served around the holidays of Easter or Passover by various ethnicities of Eastern Europe. For the Serbs, for example, the red of the beets is symbolic of the blood of their people, and the horseradish the bitterness of their suffering. For others, the symbolism involves the blood of their savior and the bitterness of His suffering. People in the Jewish tradition also enjoy the dish, but there is no blood involved—the beets are merely for flavor—but the horseradish does represent the memory of bitter suffering in bondage. The songs on the album involve vignettes and portraits of people who’ve suffered—old people, sick people, crazy people, people who are alone—but the heart of the songs lies not in the suffering of the characters but in the indomitable faith and humor that sustains them.”
Watch the video for the first single, “Palms And Crosses” at https://www.youtube.com/watch?v=53PzZDhT3Ho
TRACK LIST:
1. Rise
2. Lovingkindness
3. Palms and Crosses
4. Nothing Was Given to Me
5. Winter’s Grace
6. Tiger Pajamas
7. Heaven Was Open
8. It’s Raining
9. Old Hundredth
10. Old Lillian’s Story
11. Walked Along
12. Duquesne
13. It’s All between Me & God
Drums–Mike Madden
Bass–John Carson
Piano–H.K. Hilner, Hollis Greathouse
Guitars–Robert Andrew Wagner
Lead Vocals—Robert Andrew Wagner and Rosa Colucci
Background Vocals—Emma Golebie, Jack Erdie, Rosa Colucci, Robert Wagner
Produced by The Little Wretches
Recorded by Hollis Greathouse
Mastered by Tom Dimuzio
All songs by Robert Andrew Wagner except RISE by Jack Erdie (with additional traditional lyrics), WINTER’S GRACE by Annette Dietz and Robert Andrew Wagner, and OLD HUNDREDTH by Traditional, arranged by Robert Andrew Wagner.
Artwork by Melinda Pietrusza
https://littlewretches.com
https://www.facebook.com/thelittlewretches
Artist Spotlight
The trapheaux gracefully glides over in new release “Marble Floors”
Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.
The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.
When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.
Connect with Trapheauxly on Spotify || Instagram || Soundcloud
Artist Spotlight
NIHLNØTHING unleashes increased tides on new release “ocean” Power
NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.
A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.
Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.
-
Artist Spotlight3 days agoElevator Operator finds joy in motion on the bright and uplifting new track “Haha Hoo – 2026 Version”
-
Artist Spotlight3 days agoCam Blair makes a statement with intriguing presence on new release “Clean Up”
-
Artist Spotlight4 days agoHymaginn steps up with a smooth and melodic new release “She Got It”
-
Artist Spotlight3 days agoEmme Rain stands out with deeply personal new release “Voodoo Music”
-
Artist Spotlight3 days agoLAST ALEX! balances precision and pulse on the electrifying track “Plus 1”
-
Artist Spotlight4 days agoAzsh lifts the room with neon hearts and playful sparks on “Mood”
-
Artist Spotlight3 days agoDick Cole builds mystery, mood tight on new release “Between the Sheets”
-
Artist Spotlight4 days agoMark Winters celebrates life’s best moments on new release “All In The Rhythm”

