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Folk Rockers Little Wretches Release Spiritually-Fueled Full Length “Red Beets & Horseradish”

The international iTunes chart-topping band led by Robert Andrew Wagner issues their first album of new material since 2020’s “Undesirables And Anarchists.”

“The heart of the songs lies not in the suffering of the characters but in the indomitable faith and humor that sustains them”— Robert A. Wagner, Little Wretches

With the release of 2020’s “Undesirables And Anarchists,” PA-based indie folk troupe Little Wretches re-emerged as one of the area’s premiere exports. The album was heard on over 115 AM/FM stations in the country, and it included the #1 international iTunes hit, “The Ballad of Johnny Blowtorch.” In 2021, a live acoustic album, “Live at the Mattress Factory: Songs from the Land of Pit Bulls & Poker Machines” was released, yielding another #1, “All Of My Friends.” Now, 150K Spotify streams and 61K Youtube views later, the band, led by Frontman and Songwriter, Robert Andrew Wagner, is releasing their first album of new material in 2 years.

According to Robert Wagner, “RED BEETS AND HORSERADISH’ (out on March 18th, 2022) is inspired by a relish or side-dish usually served around the holidays of Easter or Passover by various ethnicities of Eastern Europe. For the Serbs, for example, the red of the beets is symbolic of the blood of their people, and the horseradish the bitterness of their suffering. For others, the symbolism involves the blood of their savior and the bitterness of His suffering. People in the Jewish tradition also enjoy the dish, but there is no blood involved—the beets are merely for flavor—but the horseradish does represent the memory of bitter suffering in bondage. The songs on the album involve vignettes and portraits of people who’ve suffered—old people, sick people, crazy people, people who are alone—but the heart of the songs lies not in the suffering of the characters but in the indomitable faith and humor that sustains them.”

Watch the video for the first single, “Palms And Crosses” at https://www.youtube.com/watch?v=53PzZDhT3Ho

TRACK LIST:
1. Rise
2. Lovingkindness
3. Palms and Crosses
4. Nothing Was Given to Me
5. Winter’s Grace
6. Tiger Pajamas
7. Heaven Was Open
8. It’s Raining
9. Old Hundredth
10. Old Lillian’s Story
11. Walked Along
12. Duquesne
13. It’s All between Me & God

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Drums–Mike Madden
Bass–John Carson
Piano–H.K. Hilner, Hollis Greathouse
Guitars–Robert Andrew Wagner
Lead Vocals—Robert Andrew Wagner and Rosa Colucci
Background Vocals—Emma Golebie, Jack Erdie, Rosa Colucci, Robert Wagner

Produced by The Little Wretches
Recorded by Hollis Greathouse
Mastered by Tom Dimuzio

All songs by Robert Andrew Wagner except RISE by Jack Erdie (with additional traditional lyrics), WINTER’S GRACE by Annette Dietz and Robert Andrew Wagner, and OLD HUNDREDTH by Traditional, arranged by Robert Andrew Wagner.

Artwork by Melinda Pietrusza

https://littlewretches.com
https://www.facebook.com/thelittlewretches

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Artist Spotlight

Makk $aucy explores feminine power and emotional connection in “Agressive Woman”

Makk $aucy

Women are powerful to the people around them, and Makk $aucy explores that dynamic in his new single, “Aggressive Woman.” In this release, Makk $aucy dives into how our personal habits and views are shaped by our relationships and emotional ties, rather than just skimming the surface.

“Aggressive Woman” comes from a relaxed, flowing creative process, captured at Grill Studios in Emeryville, California. You can feel that vibe throughout the track, letting the performance speak real emotion without sounding forced. Much of the vibe comes from Makk $aucy’s vocal delivery, which matches the recording’s chill atmosphere.

Beyond the theme, the release also showcases Makk $aucy’s talents as an artist and producer. He lists R&B, hip-hop, and rap as influences and is still trying to find a musical direction that doesn’t confine him to one genre. His production work is central to this identity, reflecting his desire to shape the whole listening experience, not just his vocal performance.

“Agressive Woman” is another chapter in what Makk $aucy calls the “Makk $aucy Experience,” a larger musical journey based on experimentation and creative findings. It celebrates female power and spotlights an artist who continues to push the limits of his production and genre-bending approach.

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Artist Spotlight

C’batch explores love, irony, and poor decisions in “If There Was Ever a Fool (One of a Cast of Many) 1”

C'batch

“If There Was Ever a Fool (One of a Cast of Many) 1” by C’batch is a classic rock release that explores that complicated side of relationships. Based on a friend’s real-life relationship, the song explores love, bad judgment, and the emotional repercussions from a dark, ironic, and sometimes humorous perspective.

What’s interesting about the release is that it spans different eras, musically and lyrically. C’Batch first recorded the guitar improvisation in 2012, and the words came years later, after the relationship that inspired them was over. He kept the two apart until 2026, when he finally merged them. The unusual creative chronology links an early musical idea to a later observation of human behavior.

The track is steeped in classic rock and soul rock and showcases C’batch’s experience as a guitarist, composer, and producer. To truly appreciate this release, one must understand the creative process behind it, a process that has been touched by a musical history spanning four decades. He returns to an old guitar composition and gives it a new purpose in the telling.

The song is about how people can get so wrapped up in love that they ignore shady decisions and only see the consequences afterward. “If There Was Ever a Fool (One of a Cast of Many) 1” is an interesting intersection of past inspiration and present outlook. It also shows how an unfinished musical idea can be born years later.

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