Artist Spotlight
John Vento And Nied’s Hotel Band Follow 9/11 Tribute With Updated, Remastered Fan Favorite
“We’re Just Fine” has been remastered, featuring newly recorded backing vocals. It follows the band’s #1 international iTunes hit “The Day the Lady Cried.”
“The track really showed off the band’s R&B roots, but it never received the traction that was expected. It was always a fan favorite, especially at live shows.”— John Vento
Music veteran, John Vento and his longtime blue-collar rock co-horts in Nied’s Hotel Band have been releasing their impressive catalog of music since 2004, when Vento and Buddy Hall released “Nied’s Hotel Archives” and 2007’s “Nied’s Hotel.” Three more full-lengths would follow, including 2007’s “The Way That You Roll,” 2014’s “One Night Stand,” and the 2020 compilation, “Nied’s Hotel 2.0.” The latter two included the original version of the fan-favorite, “We’re Just Fine.” Now, Vento and company have updated the track with newly recorded backing vocals and a crisp new remaster.
On March 18th, 2022, MTS Records will release Nied’s Hotel Band’s new version of “We’re Just Fine.” The song was written by John Vento and Tim Hadley, with production by Hadley and Klint Macro, and additional production by David Granati. It is the follow-up to the band’s #1 international iTunes chart hit, the 9/11 tribute, “The Day the Lady Cried.”
“The track really showed off the band’s R&B roots, but it never received the traction that was expected,” said Vento. “It was always a fan favorite, especially at live shows. Over the past few months the band decided to dust it off a bit, add some more background vocals and remaster the track for a new 2022 release.”
A music video created by Pittsburgh original artist Harry Lupinacci and animator/videographer Jim Pitulski is available at https://youtu.be/1O-TCz7lX6A.
NIED’S HOTEL BAND IS:
John Vento – Vocals
Fred Delu – Keyboard
Ed Jonnet – Sax
Tim Hadley – Guitar & Vocals
J Mac – Guitar & Vocals
Eugene Perry – Bass
Greg McIltrot – Drums & Vocals
Website: https://niedshotelband.com/about/

Lyrics – “We’re Just Fine”
You’ve been through some bad stuff lately
But you worked it all out
You’re headin’ for some good times baby
And there aint’ no doubt
Now a brand new day, brings a brand new light
Throw that shit in the sea, leave it all behind
Unlock the love in your heart, just let it shine
Sing it out to the world, you’re just fine
You’re just fine now baby
Fine now baby
Most people said that we weren’t gonna make it
But we proved em’ all wrong
They hit us hard, and then they tried to break us
But our love was way too strong
It was lookin’ bad in the eye of the storm
Winds of power and might meant to do you harm
Through the love of great friends we stood arm and arm
Sing it out to the world you’re just fine
You’re just fine now baby
Fine now baby
I know there’s nights when you feel so alone girl
We live two separate lives
But remember those nights when we were hand and hand
I’ll always be by your side, baby I’m your man
I’ll never let ya down, gonna take a stand
Sing out to the world, that we’re just fine
We’re just fine
Were just doing fine now baby
We’re Just doing fine
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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