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Jxylen battles with his anger on fierce album “Project Mayhem: Fight Club Edition”

Returning with four new tracks on the deluxe edition of “Project Mayhem”, a dark and enigmatic release from early 2022, there is a slightly different side to Jxylen being shown. While the original release retold stories and perspectives from Jxylen’s past up till now, the four latest tracks are an update on the latest feelings and realizations he’s gone through.

“God Bless America” for example is a caustically written critique of American values, and an ironic spin on what makes America “America.” It’s a track filled with blistering statements and an indignantly painful tone. Jxylen lets his weakness against an unchanging power shine through with his angry and spastic delivery. Lines like “God bless America, most living just to die” and “this weights been very heavy” add to the overall hopelessness and nihilism of the track.

“Still Tired” and “SKT 3” serve as the most violent and violent angry tracks on the tape. While “SKT 3” plays deep into a Mobb Deep esque New York violence, filled with wordplay about gunshots and various ways to get rich, “Still Tired” is a deeper, more complex and ambiguous violence. It’s easy to tell that Jxylen is burning in quiet fury from anger he cannot remove from his soul. There is no content, and from this realization comes further anger at the world. He “hides [his] feelings” when boils into even more violence.

“Alive!” is easily the most interesting track of the tape. It’s a soulful and bold song filled with odd and almost childlike delivery on the chorus. While the lyrics touch less surface level than the other tracks, it’s not meant to be much more than a braggadocious rap that portrays Jxylen’s ego as larger than ever within the pits of his anger. Jxylen flows fluidly as the beat switch’s and he comes to grips with “artists dickriding… eternal hate… and creating something timeless.” It’s a second verse filled with substance crammed into barely 40 seconds on the ending of the track that very well captures the sentiment of Jxylen’s very artistic being, and shows his best strengths in writing and delivery.

Listen to PROJECT MAYHEM: FIGHT CLUB EDITION here:

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ReeToxA confronts the past with truth on “HMAS CERBERUS”

“HMAS CERBERUS,” ReeToxA’s new single, is a raw, very personal song about his life experiences. The song sounds like Oz rock from the 1990s, and modern alternative and grunge. It sounds brave and familiar at the same time, like a truth kept secret for a long time.

“HMAS CERBERUS” is based on a true story from Jason McKee’s life, and it shows how his ten years in the Navy changed him and how they still do. The song bravely speaks to the emotional toll of service, including alcoholism and mental stress, sincerely.

The poem is what makes the single stand out. The writing is brilliant and stays smart, and it’s hard without being preachy. The singer got the idea for the song when he saw four seasons in one day at a beer garden in Melbourne. It connects the sudden change in the weather to a life that is constantly changing and hiding how you feel. It’s a potent metaphor for a mind that finally stops long enough to figure out where the damage started.

The song “HMAS CERBERUS” is both intense and at the same time. It makes you think, but it’s also surprisingly easy to dance to, which shows that dark themes don’t have to be sad music. The song is both interesting and challenging to listen to because of the gritty guitars and rock base. In a sea of safe releases, ReeToxA stands out as honest, raw, uncomfortable, and necessary. “HMAS CERBERUS” is a brave meditation that stays with you for a long.time

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Kieran James Honors Memory with “Part of the Grind”

Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.