Artist Spotlight

Kaleidoscope Orchestra feat. Prima redefine genre boundaries on “I Adore You”

A five-year labor of love, Kaleidoscope Orchestra’s latest single, “I Adore You,” featuring Prima, combines the might of an orchestra with the fury of drum and bass. It is a snapshot of the emotional rhythms of a world in lockdown. The song envelops you in a soundscape that feels both intimate and expansive, as if music is breathing alongside you.

Featuring vocals from Manchester singer Prima, her incredible voice lends the track an authentic emotional weight. Her voice tells a tale, packed with openness and desire, yet with an underlying sense of success in every single phrase. Behind her voice is a 29-piece orchestra that thickens the music, making each drum and bass hit feel like it has an image.

A unique highlight is Nick Walters’ famous trumpet solo, as his playing shines through the orchestral textures with grace and vitality. The music suits both a lavish Planet Earth-style documentary and the bare energy of a drum-and-bass festival. Kaleidoscope Orchestra has always set out to unite disparate musical styles and introduce people to orchestral music in unique and exciting ways.

“I Adore You” is a great example of that mission, as it proves that classical music and modern electronic beats can coexist without sacrificing their identities. And the song plays out in an odyssey that is cinematic, contemplative, and deeply human. This release not only celebrates what working across musical genres can do, but it also captures the emotion of a moment in time. “I Adore You” is a great addition to any playlist that seeks depth, beauty, and heart-pounding energy.

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Faith Koch

A seasoned music writer at Honk Magazine, covering new releases and artist spotlights with a focus on blending insight with captivating storytelling, helping readers connect deeply with the music and the artists behind it.

Artist Spotlight

Gus Ormo finds a gentle balance of sound on latest release “Claroscuro (APAPE)”

Gus Ormo‘s latest release, “Claroscuro (APAPE),” is an instrumental piece built from a carefully selected set of sounds. Clean shakers, piano, bass, trumpet, flutes, acoustic guitars, drums, lead guitar, and tambs make up the track. The vocal element is absent from the foreground; the instruments themselves establish the piece’s character.

The arrangement shows the contrast of its different textures. Bass and piano provide the grounding, with trumpet and flutes supplying the melodic color. Congas, drums, and shakers provide percussion, while the acoustic and lead guitars enrich the instrumental palette. These elements are incorporated into the song’s somber mood, but it remains mostly soft and emotion-driven.

What appeals to “Claroscuro (APAPE)” is its dedication to an instrumental expression that is soft on the heart. It’s not the words that convey the mood; it’s the instruments. Gus Ormo combines strings of rhythm, melody, and texture to produce a piece that sounds deliberately restrained, and each section contributes to the overall musical picture.

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Artist Spotlight

Gus Ormo brings warmth and tenderness on latest release “Latidos”

Gus Ormo’s latest release, “Latidos,” is an instrumental, so it must rely on its musicianship to carry the emotional weight. Instead of a vocal to guide the listener, the arrangement features clean shakers, piano, bass, trumpet, flutes, acoustic guitars, drums, lead guitar, and tambs. The combination is a well-layered musical setting, with a somber character and a soft approach to the heart.

The piano and guitars add important touches to the arrangement, the trumpet and flutes add more color. Percussion, congas, drums, and clean shakers add movement but don’t detract from the gentle nature of the track. The bass anchors the song, while the lead and acoustic guitars provide an additional layer to the instrumental mix.

What sets “Latidos” apart is the quiet emotional intent. Instead of singing of its feeling, the piece creates a solemn and tender atmosphere with its collection of instruments. Still, Gus Ormo’s method stresses the connection between the instruments. It is an instrumental piece that should touch the heart with softness and not in excess.

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