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Kanye West and Ty Dolla $ign Consider Bold Move for “VULTURES” 2 Release – Say Goodbye to Streaming

Kanye West

Kanye West and Ty Dolla $ign Consider Bold Move for “VULTURES” 2 Release – Say Goodbye to Streaming

 

Kanye West and Ty Dolla $ign might not be dropping “VULTURES” 2 on streaming platforms as promised. Instead, a new wave of information, previously absent in the first installment, has emerged. The Twitter account @yefanatics, now on X, claims to be in direct contact with Kanye and his team, providing exclusive updates on the project.

Recent message screenshots shared by the fan page reveal that at their Phoenix listening event on March 10, Ye and Ty plan to showcase both “VULTURES 1” and the anticipated sequel. Adding to the excitement, there’s a hint at another track named “Slide,” potentially setting the stage for the final part of the trilogy.

In a fascinating twist, Kanye West reached out to @yefanatics, seeking input from fans on the release strategy for the next two “VULTURES” albums. In a direct message, Ye expressed concerns about streaming devaluing music, echoing sentiments shared by artist James Blake. West contemplates a digital-only album release, exclusively through Yeezy.com, leveraging his massive Instagram following to challenge the norms of the music industry.

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James Blake’s recent critiques of the music industry seem to be striking a chord with artists like Kanye West. Blake highlighted issues of artist exploitation, the impact of a streaming-dominated economy on creativity, and the downside of algorithmic engagement platforms like TikTok. While Kanye faces unique challenges, his contemplation of moving away from streaming reflects broader industry concerns.

If Kanye West follows through with this bold move, “VULTURES” 2 could become a landmark moment, akin to Willie Nelson’s departure from traditional streaming practices. While Donda 2 only released on the Yeezy Stem Player, the success of “VULTURES 1” on streaming platforms prompts a reconsideration for the sequel. With casual listeners still enamored with tracks like “CARNIVAL,” the focus may shift towards catering to the dedicated fan base.

History appears to be repeating itself, and Kanye West’s potential departure from streaming aligns with his innovative approach to album releases. For the latest updates on this groundbreaking decision and all things Kanye and Ty Dolla $ign, stay tuned to Honk Magazine.

Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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