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Speed-Writing Sensation, Muni Long Reveals How She Whipped Up Rihanna’s ‘California King Bed’ in Just Minutes

Rihanna

Speed-Writing Sensation, Muni Long Reveals How She Whipped Up Rihanna’s ‘California King Bed’ in Just Minutes

In a recent revelation, Muni Long spilled the beans on the lightning-fast creation of Rihanna‘s timeless hit, “California King Bed.” Despite being a fan favorite for over a decade, the songstress shared that she penned the chart-topper in a mere 10 minutes. Juggling a major move and a studio session, Muni rushed through the writing process to return promptly to her online furniture shopping spree.

“I was in Miami at the time for ‘California King Bed,’ working out of We The Best studio, and I was actually working with Jermaine [Jackson] from The Runners,” she disclosed in an interview with Complex. “I wrote the song in like 10 minutes. I was like, ‘Turn it up, let me get this done real quick,’ so I could go back to looking for my furniture.”

Surprisingly, the track was initially destined for another famous singer, Kelly Clarkson. Muni Long only discovered that Rihanna claimed it months later. “Originally, they were trying to pitch it to Kelly Clarkson,” she shared. “Then I came back two months later, and my publisher Ryan Press said that they were going to cut it for Rihanna. I was super excited.”

While fans revel in Rihanna’s past hits, there’s anticipation for more. Addressing the eagerly awaited new album, ASAP Rocky hinted, “She’s working on it.” What’s your take on Muni Long’s swift creation of “California King Bed”? Share your thoughts in the comments below, and stay tuned to Honk Magazine for the latest updates!

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Artist Spotlight

“Keep T Moving” shows Meas & Riddie’s fresh approach to house music

Meas & Riddie

Meas & Riddie release their debut, “Keep T Moving,” a fusion of youthful vigor and classic electronic character. Meas & Riddie produced the track, and these two young artists have already built a clear connection with House music while still leaving room to experiment and make music on their own terms.

“Keep T Moving” is a powerful electronic and house record that speaks to the duo’s love of fusing old-school 909 sounds with more modern synths. This distinction gives the track its main artistic direction, fusing a familiar electronic base with a modern edge. Meas & Riddie see those influences as part of the sound they are beginning to make their own.

As their first independent Spotify release, “Keep T Moving” also captures the thrill of a beginning, of two young musicians stepping into the scene without putting unnecessary limits on where their sound can go. 17-year-old Riddie and 15-year-old Meas share an uncommon sense of youthful dedication on their debut release. Their age is part of the story, but more interesting is their willingness to explore on their own terms. “Keep T Moving” definitely sets the direction, but leaves plenty of room for Meas & Riddie to build on their sound with future releases.

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Artist Spotlight

Max Ceddo captures one-sided communication on latest release “So You Say”

Max Ceddo

Max Ceddo takes a frustrating one-sided conversation and makes it the centerpiece of “So You Say,” a song built around communication that never seems to go anywhere. It’s a relatable portrait of the frustration of constantly trying to engage another person in conversation, only to be met with little reciprocation.

The lyrics make that imbalance clear from the beginning, “All you seem ever to say is So you say.” Every time someone calls to talk to me, the narrator says, the other person listens and says nothing, and the narrator wonders why they even called. Even the greeting seems to be limited: “all you ever say is hi at the beginning.” The repetition signals a relationship caught in a frustrating pattern.

What gives “So You Say” its character is how directly it complains. There is no need to dress up the problem, one person wants communication, while the other seems unable or unwilling to give it. “You cant speak cause all you ever say is so you say” brings the idea back around, so the repetition is part of the message itself. Max Ceddo captures the weariness of talking when no one talks back.

Connect with Max Ceddo on Spotify || Instagram || Facebook || Youtube

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