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Kanye West Has Spent A Fortune On His Presidential Run

Kanye West is a man of many ambitions, as anyone in the pop culture know can attest. And while he has certainly managed to thrive in some departments, namely in the realms of music and fashion, Kanye West recently made a valiant attempt to crossover into the tumultuous and downright volatile world of politics. Though he did manage to land on a few ballots here and there, it’s safe to say that Kanye’s Presidential campaign was basically a bust — one that ultimately proved rather costly, at that.

Kanye West

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According to American political journalist Ben Jacobs of the NY Mag, in September alone, Kanye West went on to spend over three million of his own dollars on his Birthday Party campaign. Jacobs also maintains that as per the FEC report West recently filed, his campaign was able to fundraise a total of $2782, broken down as follows: $1582 in unitemized contributions of under $200, and two separate itemized contributions of $1000 and $200.

Jacobs also confirms that Ye only recently (October 19th) contributed an additional $2 million dollars, an indication that he has no intention of slowing this one down anytime soon. He also clarifies that Kanye West has spent a grand total of $12 million dollars on his presidential campaign, with only a fraction having come directly from donors. “West has loaned his campaign $9.76 million and contributed $2.11 million to it,” tweets Jacob. “His campaign has raised $17,635 from donors.”

It should be noted that Kanye West has also spent millions of dollars hiring Republican consulting firms, including the Lincoln Strategy Group, to whom he now reportedly owes $193,000. In addition to this, Yeezy is also reportedly in the hole for $1.2 million to the Fortified Consulting group. Considering that Kanye is looking at virtually zero chance at securing the Presidency, it’s hard not to wince upon seeing the total numbers — even though few artists are as rich as the Yeezy billionaire, who certainly has a sizable fortune to throw around. 

Check out the summary of tweets below. 

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Artist Spotlight

Billy Chuck Da Goat finds his flow on new release “Vibez”

Goat

Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.

“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.

The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.

Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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