Music

Kehlani’s Chris Brown Pic Sparks Backlash, Fans React to ‘Twin’ Controversy

Kehlani is in hot water after sharing a photo with Chris Brown, who cheekily dubbed her his “twin” in the post. The snap has ignited a storm of criticism online, with many fans resurfacing Brown’s troubled past, including his highly publicized domestic violence case with Rihanna and his harsh comments about Kehlani’s 2016 suicide attempt.

Critics took to Twitter, voicing their disapproval: “Kehlani removed Tory Lanez from a song after the Megan incident, but now she’s cozying up to Chris Brown? Seriously?” Another user lamented, “Hanging out with Chris Brown feels like a major slap in the face.” Some accused Kehlani of hypocrisy, questioning how her advocacy for human and women’s rights aligns with her association with Brown.

On the flip side, supporters argue that Kehlani and Brown have long since reconciled. “Kehlani has supported Chris for a while now, so why are people surprised?” one fan pointed out. For more reactions and updates on this ongoing story, check out Hollywood Unlocked and stay tuned to Honk Magazine.

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Artist Spotlight

E.G. Phillips explores cosmic escape with “Please Don’t Make Me Come Back from the Moon”

E.G. Phillips’ new release, “Please Don’t Make Me Come Back from the Moon,” is a track that drifts effortlessly between genres and atmospheres. “Please Don’t Make Me Come Back from the Moon” is an experience that feels suspended in time and space.

Blending alt-folk with jazz-fusion touches, the track creates a dreamy and unpredictable wave of radio-static textures that ripple beneath the verses, giving the impression of floating through an unfamiliar yet comforting universe. There’s a sense of detachment here, as if reality has been left behind entirely.

Just as listeners settle into its hazy rhythm, the bridge shifts gears into a jazz-rock groove, complete with trumpet lines that subtly nod to a fusion-inspired legacy. This transition feels organic, enhancing the track’s exploratory nature rather than disrupting it. “Please Don’t Make Me Come Back from the Moon” is a beautifully strange offering that invites listeners to step outside themselves and embrace the unknown, even if only for a few minutes.

Connect with E.G. Phillips on Spotify || Instagram || Facebook || Youtube

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Artist Spotlight

Captain Iron and the Windrift Band put on a sci-fi pop show with new release “Ultra Sound”

Captain Iron / Windrift Band opens a vivid portal with “Ultra Sound,” a bold, creative dance-pop song that fully embraces cinematic storytelling. From the outset, the track establishes itself as more than just a catchy club-ready anthem, it’s a narrative-driven experience wrapped in glossy, futuristic production.

“Ultra Sound” is a great track because of its unique idea, a sexy fembot synth lures astronauts into a trap, then uses an ultrasonic tractor beam to steal their ship. It’s fun, a little strange, and very different from what you usually hear in pop music. This lets Captain Iron show off his unique lyrical style. The story feels like it’s moving forward with each beat, like it’s a movie.

It’s easy to see how “Ultra Sound” could grow even further with full-scale production or collaboration, since its foundation already offers plenty of possibilities. Captain Iron / Windrift Band gives us a song that is both fun and smart. “Ultra Sound” doesn’t just want people to dance, it wants to take them to a colorful, imaginative world where stories and sounds come together thrillingly.

Connect with Captain Iron / Windrift Band on Spotify || Twitter || Youtube