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Artist Spotlight

KEV-Y steps into his power on the triumphant new single “Who u know”

KEV-Y

KEV-Y‘s new song “Who u know” is a strong statement of strength, determination, and purpose that captures the spirit of someone who has fought for years to get where they are. The song captures the spirit of an artist who has faced stress, failures, and doubt but never gave up. Instead, KEV-Y turns his journey into a story of hard work and the belief that you can turn ordinary pain into extraordinary strength.

In the song, he reflects on his progress, recalling instances when he faced rejection yet persistently pursued his craft. His stories are full of pictures of how he survived challenges that were meant to break him but instead made him stronger. There’s a clear feeling of rising against the odds, built up through long hours, personal struggles, and an inner fire that won’t go out.

KEV-Y sees his growth as something almost heroic as he pushes through tough times. He likens his transformation to the ascent of a warrior equipped with new abilities. His message is based on taking responsibility for yourself, having faith, and working diligently to become the best version of yourself. The song is based on the themes of spiritual guidance and inner growth, which give it an emotional depth that goes beyond its confident surface.

“Who u know” is a song about strength and determination that anyone who kept going when life tried to wear them down can sing along to. KEV-Y turns hard times into motivation and reminds listeners that strength is built in the trenches and victory comes to those who don’t give up. With this release, he comes forward not only as an artist but also as a voice that has been shaped by real struggle, growth, and purpose.

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

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“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

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