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Kilough Teases Upcoming EP With Wistful Americana Single “Follow Me”
Americana singer-songwriter Kilough released her new single, “Follow Me,” on October 1. Accompanied by a simultaneous lyric video release, this is the final single preceding her upcoming EP expected in early 2022. “Follow Me” is inspired by Kilough’s recent move to Nashville in pursuit of her music career, and ruminates on the importance of appreciating loved ones to the fullest extent. “When all is said and done,” she says, “friends and family are what give our time meaning.” Following recent singles “What If” and “Miles & Months,” the Nashville artist captures the essence of the EP perfectly. Fans can expect varying palettes of textures and colors painting vivid imagery of love, youth, and change. This single embodies the last few years for Kilough, honoring the incredible people and refreshing change of pace that came with settling in Nashville. “Follow Me” is a tender declaration of appreciation for those that push us to be our best selves.
Kilough’s delicate, bright vocals lead listeners through a musical journey on “Follow Me”. The track transitions from openness and colorful chorditure in the first half to a pop-kissed finale embellished with powerfully stacked background vocals and rhythmic acoustic guitar. Kilough reflects on the creative process for “Follow Me” as “an incredible new experience, because it was an opportunity to work with new instruments and techniques that [she] had never featured.” The heartfelt single manages to deliver an undeniably catchy melody while capturing the full scope of Kilough’s experience relocating to Nashville. The dynamic sound achieved on this track is an enticing showcase of a never-before-tapped-into side of the singer-songwriter’s artistry. Characterized by sweetness fused with a subtle longing, the artist hopes fans find a bit of themselves in these personal stories.
Stream “Follow Me” On all major streaming platforms October 1.
Your Neighborhood Songwriter, Kilough (Ky-low), is an independent artist currently based in Nashville. Featuring influences from folk, country, and pop, and drawing inspiration from artists like Kacey Musgraves, Miranda Lambert, and Shakey Graves, she creates an upbeat, refreshing sound that is uniquely her own. Born in the Midwest, raised in the South, and touring throughout the Northeast, Kilough’s life and music have taken her across America. She has performed live shows in New York City, Rhode Island, and Boston, where she celebrated the release of her debut EP, Latitude, in 2019. Kilough is currently in the process of recording her second EP, which will feature previously released singles “What If” and “Miles & Months”.
On October 1st, Kilough will release her latest single, “Follow Me”, on all platforms. “Follow Me” is an upbeat anthem about fresh starts and prized memories. It’s about the unexpected moments and people in life that you keep coming back to. Stemming from her own experience, Kilough hopes listeners will hear a little of themselves in her song.
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Judge Rules Diddy’s Anonymous Accuser Must Face the Light Unmasked or Be Dismissed
In an unexpected twist in the ongoing legal drama surrounding Sean “Diddy” Combs, a judge has ordered that an anonymous accuser, identified only as Jane Doe, must reveal her identity if her case is to proceed. This latest development adds a new layer to the controversy, especially considering attorney Tony Buzbee’s representation of over 100 clients seeking legal recourse against Diddy. Jane Doe’s accusation, dating back to 2004, paints a dark picture of alleged sexual assault by the hip-hop mogul. However, Judge Mary Kay Vyskocil has ruled that she has not provided sufficient justification to remain anonymous, setting the stage for a pivotal decision that could see her case dismissed if she doesn’t reveal her identity by November 13.
Jane Doe’s complaint joins a flurry of recent allegations against Combs, with two additional cases accusing him of sexual misconduct involving minors. Despite this, Diddy’s legal team has remained unwavering, firmly denying all claims as “false and defamatory.” Attorney Erica Wolff reinforced this stance, emphasizing that Diddy “categorically denies” all allegations of abuse and looks forward to establishing his innocence in court, where evidence rather than speculation will guide the process.
For some, Judge Vyskocil’s ruling speaks to a fundamental tension between an accuser’s right to privacy and the transparency demanded by the justice system, particularly when accusations target a high-profile figure like Combs. Allowing anonymity can sometimes shield victims from public scrutiny, yet it can also hinder a defendant’s ability to address claims fully. Others argue that a public trial is a fairer pathway to truth, especially in high-stakes cases involving public figures whose reputations are constantly under media glare.
As the November deadline approaches, all eyes are on Jane Doe’s next move. This ruling could set a powerful precedent for handling similar cases involving high-profile litigation. It’s a waiting game for Diddy, whose career spans decades in the music industry, and these allegations represent a significant blow to his legacy. For the public, it’s a complex story of accountability, privacy, and the delicate dance between justice and notoriety. Will her identity be revealed, or will the weight of anonymity silence her voice?
Entertainment
50-Cent’s Quick-Witted Take on Ghostwriting for Diddy with JAY-Z
When hip-hop’s ultimate entertainer, 50-Cent, recently took a seat on an episode of The Breakfast Club this week, fans got more than just another sprinkling celebrity interview. The Power creator didn’t just drop gems about his career or latest ventures; he also let fans in on a charisma and hilarious behind-the-scenes glimpse as he recalled his ghostwriting days with none other than Sean “Diddy” Combs and how JAY-Z joined the fun.
During the episode, Charlamagne Tha God played a clip of Diddy rapping on the song called “Let’s Get It,” where the Bad Boy mogul dramatically spits, “Send the cops, the D.A., and the feds to come get me.” 50’s quick-witted response was priceless, and everyone laughed; he joked, “I ain’t tell him to say that.” Known for his dry wit and knack for masterfully stirring the pot, 50 didn’t disappoint as he served up his classic humor with a punchline that reminded everyone why he’s such a prominent figure in hip-hop.
But the real kicker came when Charlamagne played another track, prompting 50-Cent to cheekily credit JAY-Z for a specific line, laughing, “Jay helped me with that. Jay did that part right there.” He even shared that Diddy would run his ideas past JAY-Z, explaining how the Roc Nation founder’s mind is “formatted” for spontaneity. “He just has it in his head,” 50 said, admiring how JAY-Z, with his freestyle prowess, didn’t need pen or paper.
While 50’s ghostwriting tales were hilariously candid, there was a serious side, too. Diddy is currently dealing with some heavy legal issues, facing allegations that include serious crimes. Seizing the opportunity, 50-Cent revealed he’s working on a Netflix documentary that will investigate these allegations, promising to focus on the ongoing situation surrounding Diddy’s troubles, including claims of sex trafficking and racketeering. With Diddy awaiting trial in Brooklyn, the mood shifted from amusement to a more severe concern regarding his legal challenges.
As a keen analyst of hip-hop culture, 50-Cent effectively conveys anecdotes that keep the audience entertained while highlighting his vigilant perspective and willingness to express his opinions candidly. His experiences with the creative talents of JAY-Z and the signature style of Diddy illuminate the fascinating dynamics at play among the most prominent personalities within the upper echelons of hip-hop genuinely operating and their collaborations within it. For now, fans can enjoy his quick-witty quips on The Breakfast Club, and who knows, maybe Diddy will return the favor with a few humorous takes of his own.