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Lakeith Stanfield Faces Backlash After Making Remark About Kamala Harris’s Hair

Hundreds of thousands of people have shared their takeaways from the first vice presidential debate of the 2020 Election season, but Lakeith Stanfield has captured attention. The accomplished actor voiced his thoughts over on his Instagram page and one post included a split-screen photo of Kamala Harris and Vice President Mike Pence. “I don’t like her hair, but other than that this is better than the last one but still sad,” Stanfield captioned the image. Quickly, some people commented that he was being disrespectful. “You have a powerful voice, use it wisely,” one person stated.

LaKeith Stanfield, Kamala Harris, Vice Presidential Debate, Hair, Black Women
Dia Dipasupil / Staff / Getty Images

The actor took a moment to respond. “I say what i want on my page,” he wrote. “Where are all you warriors of power when i post about the things that i believe in and support? You won’t pressure me into speaking how YOU think i should speak.” The Shade Room shared screenshots of the exchange, and soon, Lakeith Stanfield was inundated with Instagram users who accused him of hating black women.

Stanfield returned with a video where he speaks directly to the camera and vocalizes his adoration and support of Black women. He wrote in the caption, “Welcome everyone from shaderoom lol. This is from years ago but let me happen to not favor Kamalas hair and suddenly i hate black women. Y’all know that isn’t true.” Those who defended the actor pointed out the absurdity of the allegations, so check out bits from the controversy below along with a few mixed reactions.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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