Hip-Hop

Lee Clark Allen channels vulnerability into vintage soul with “I Get Weak”

In a society largely built upon the bravado of invincibility, Lee Clark Allen plunges into emotional transparency with his new single, “I Get Weak.” The Duluth-based singer-songwriter and producer, whose real name is Patrick Lee Clark, brings us a soulful track that pleads with listeners to bang to its every heartbeat. Allen brings a melting pot of musical genres to the table. You can hear the fingerprints of classic soul and gospel in the rich fabric of his vocal phrasing, and an unassuming thread of blues and R&B keeps the production relatively spirited and smooth at once.

But “I Get Weak” is a lesson in emotional candor set to music. At the center is Allen’s voice, one that is dynamic, textured, and intimately expressive. It’s the kind of vocal that is living in the lyrics. As he reveals his weakness, the song is no longer about weakness but about strength in surrender. It’s soul music of the sort that not only begs to be played in the background, but demands to be felt in the chest. The production is both thoughtful and smooth, equal parts classic retro soul and contemporary brilliance with nods to neo-soul as well as alt-rock moods.

Artist Spotlight

Bluridge enters the global scene with debut release “On Top Of The World”

BluRidge makes its mark in the pop world with its first official release, showing that it is very sure of itself. The title “On Top of the World” is music that’s carefully made to lift your spirits, get you moving, and give you the energy you need to party.

The song blends pop, dance-pop, and trap-infused rhythms, but it doesn’t stick to a single genre. “On Top of the World” has a light, free quality, taking you to a place where music becomes a driving force. This piece is meant for people to listen to, as well as sunlight, stage smoke, and the sounds of open fields.

The hook gives you the freedom to believe in elevation again, to feel triumphant, to let go of joy, and to see beyond what seems unimportant. BluRidge lifts others, and their first official release shows this energy in full. BluRidge is making anthem-like songs that make you want to move and give you a sense of power.

This single marks an essential time for BluRidge, and their first release on a label that not only hints at potential but also joyfully conveys it through rhythm, momentum, and evident joy. It sets the tone for both their destination and the height they want to reach.

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Artist Spotlight

Séhkou expresses a sacred pain through light in “Irreverent Beauty (2 Cor. 12:9)”

“Irreverent Beauty (2 Cor. 12:9)” breathes like a physical being in prayer, shaking, remembering, and slowly coming back to life. Séhkou’s work is a spoken psalm full of sadness, an open wound, and a testament that gets its strength from being weak, not loud.

The work has the seriousness of scripture, the softness of confessional poetry, and the gentle confusion that comes with spiritual healing. This is a softness that comes from years of breaking, fixing, breaking again, and realizing that the Divine is always there in each crack.

Séhkou talks about the paradox of divine support amid life’s scars, and he shows the pain as beautiful, even holy, and the track knows where light always tries to get in. “Irreverent Beauty (2 Cor. 12:9)” is like a map of lasting scars, showing a faith that doesn’t get rid of pain but changes it. Séhkou whispers that he is still becoming, and that is, in a way, more triumphant. In a culture that loves polished stories, this work shows the flaws and treats them as sacred.

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