Music
Lil Durk And King Von Are ‘Still Trappin’ In Their Dark New Video
Durk released his latest album, ‘The Voice,’ on Christmas Eve after pushing it back when his friend and protege Von was killed. …
Lil Durk’s latest single from his new album The Voice, “Still Trappin’,” helps keep Durk’s artist King Von‘s voice in the conversation as the two Chicago rappers trade verses full of threats and boasts. In the video, which Durk released today, Durk and his OTF crew invite some dancers to the studio, showering them with currency. Although the late Von couldn’t be in the video, Durk pays homage to him with a massive portrait of Von airbrushed onto the back of Durk’s custom jacket.
The Voice arrived on Christmas Eve after the rapper spent several months teasing the project and pushing it back in the wake of Von’s death in Atlanta. In the meantime, he kept the buzz going through a series of standout guest appearances with the likes of Bia on her “Same Hands” single and Queen Naija in the flirtatious “Lie To Me.” When Durk did promote The Voice, it was with singles “Backdoor” and “Stay Down,” for which he also released a fan-focused lyric video yesterday.
2020 was a breakout year for Von. Despite releasing music commercially since the Chicago drill outbreak of 2012, last year saw his biggest increase in popularity thanks to the release of his album, Just Cause Y’all Waited 2, and a flurry of high-profile feature verses, including one on Drake’s comeback single “Laugh Now Cry Later.”
Watch the “Still Trappin’” video above.
Artist Spotlight
Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”
Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.
“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.
Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.
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Artist Spotlight
Bromsen crafts a suspension between attachment and release in new single “Concendrain”
Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.
“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.
The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.
“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.
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