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Louisville Cop Involved In Breonna Taylor’s Murder Sues Her Boyfriend, Kenneth Walker

Jonathan Mattingly, one of the three Louisville police officers involved in the shooting of Breonna Taylor in March, has filed a civil lawsuit against Taylor’s boyfriend, Kenneth Walker, for the“severe trauma, mental anguish and emotional distress” Walker caused him the night of Taylor’s death, and in the months that have followed.

Having obtained a no-knock search warrant, LMPD officers Jonathan Mattingly, Brett Hankison, and Myles Cosgrove, barged into Taylor’s home on March 13th, 2020, while Taylor and Walker were asleep, in what has since been described as a “botched raid.” The raid was part of an ongoing drug investigation, in which the officers wrongly suspected Taylor was a part of. Thinking that the officers were intruders, Walker, a licensed gun owner, allegedly shot Mattingly in the leg, prompting the police officers to open fire with 32 shots of their own, six of which hit Taylor.

The lawsuit reads, “Walker’s conduct in shooting Mattingly is outrageous, intolerable, and offends all accepted standards of decency and morality.” 

After being initially charged and arrested for attempted murder, the charges were dismissed and Walker was released, seeking protection under Kentucky’s “Stand Your Ground” law, which offers immunity from civil and criminal law for any person who uses a gun in self-defense. 

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Walker’s attorney responded to Mattingly’s suit, calling it a “baseless attempt to further victimize and harass Kenny.”

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In a statement obtained by CBS News, attorney Steve Romines said, “Kenny Walker is protected by law under KRS 503.085 and is immune from both criminal prosecution and civil liability as he was acting in self-defense in his own home.” 

Earlier this month in an interview with Gayle King for CBS This Morning, Walker revealed that on the day of the shooting, a LMPD officer said to him that it was “unfortunate” that he was not also shot. In a different CBS This Morning interview with Gayle King, two grand jurors for Taylor’s case called the actions of the police that day “criminal” and “negligent.”

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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